Essential viewing this June:
- After the disappointing spin-off that was Wolverine (2009) one could be tempted to leave the X-Men franchise dead and buried. But luckily with X-Men: First Class, the capable hands of Matthew Vaughn have not only brought the series back to its peak, but left it with a more than promising future. Going back to the early days of Professor X and Magneto, Vaughn has brought in a whole new set of talent with James McAvoy (X) and Michael Fassbender (Magneto) leading the way. And the two do a remarkable job of reigniting the original spark that made this relationship originally interesting in Bryan Singer’s first X-Men (2000). In fact, McAvoy and Fassbender are so strong that they put stars like Kevin Bacon, Rose Byrne and January Jones to shame. A terrific set-up with clever takes on the characters origin accompanied by some very impressive action makes this one of the finest blockbusters of the summer.
- Another pair with great chemistry on display this month is Simon Pegg and Nick Frost in Paul, a sci-fi comedy that gets away with a bit too much but still leaves you wanting more. Pegg and Frost, who also penned the script together, have done so much together by now (Shaun of The Dead (2004) and most recently Hot Fuzz (2007)) naturally don’t have to work too hard to come off as best buddies, but it is in their relationship to newfound friend Paul they both really shine. Directed by Greg Mottola (Superbad (2007) and TV’s Arrested Development), this is a superb buddy movie with a rare treat of making a CGI character both impressive and loveable. A wonderful antidote to the serious sci-fi movies just around the corner.
- The legendary front man of Motorhead, Lemmy Kilmister, was bound to get a documentary team knocking on his door one day. And now the film, simply titled Lemmy, arrives. Directors Wes Orshoski and Greg Olliver follow the heavy rocker for the better part of a year and the result is interesting, moving and entertaining. Whether it is on the front or back stage, on his beloved tour bus or back at his economic apartment in Los Angeles, this is an intimate and honest portrait of a man completely dedicated to his art. Contributions from the likes of Dave Grohl, James Hetfield, Ozzy Osbourne, Joan Jett and many more makes the uninformed viewer realize the legacy of the man, and the film depicts the rocker in a raw and unfiltered environment which makes it even more satisfying to take in. A rock solid documentary bio picture.
Essential listening this June:
- The return of Arctic Monkeys is a curious one, with their fourth album Suck It And See. After their first two superb albums, their third one Humbug (2009) was a bit of a surprise turn, and in spite of some high quality tracks, didn’t manage to sell itself as a full-on rock album. Two years later they return in better form and a clearer idea of what they want their album to be. The quality of each track still varies a little too much, but all together this is a great mix of songs and a reassuring return to their confident selves. Alongside the superb first single Don’t Sit Down ‘Cause I’ve Moved Your Chair, tracks like Brick By Brick and Reckless Serenade remind you of the attitude and original fresh feeling that first made us fall in love with the band when they debuted back in 2005.
- Despite coming across some commercial success a few albums back, indie rockers Death Cab For Cutie refuse to make anything too accessible. With their impressive seventh studio album Codes and Keys, they are still experimental, fearless and looking to improve. The result is an interesting album that stands strong and tall, but still doesn’t quite challenge their finest efforts. There is a romantic idea running through the various moods of the album where Ben Gibbard still sings with convincing and heartfelt effect, making this a record well worth listening to. And it will still make an unforgiving impact on the loyal fans.
- The past decade have seen many great Norwegian rock bands retire or break up, with no one ever really being able to replace them. Bands such as Madrugada, Ricochets and My Midnight Creeps. So it should be a comforting sign that Kitchie Kitchie Ki-Me-O features members of all the above. Their first, self titled album is a very promising outing that will hopefully grow even more impressive with further visits. Dark, poetic, gritty and rough around the edges, hopefully this band will live on longer than any of its members’ previous ones. From Next, the terrific single that opens the album, to the closing One Day, this is a much needed Norwegian rock album that should inspire others to follow.
Thursday, June 30, 2011
Monday, June 20, 2011
Tuesday, June 7, 2011
Saturday, June 4, 2011
"Apartment Limbo"
about you about me
the closest thing so far
cold coffee and empty pillow cases
another bored and weakened soul
wearing the shoes of a ghost
playing old records over again
this year has become a decade
trying to remember a friend
a heartbeat counting backwards
whatever you want me to see
lies underneath your skin
yours to forget yours to change
a part of you in every beat
busted neon signs over locked doors
this unstable state we’re in
stay with me ‘til we get through july
cheap lyrics made for radio
joni made her baby cry too
on the floor out of cigarettes
a crowded road through your veil
no such thing as falling gently
if only rails ran through this town
the closest thing so far
cold coffee and empty pillow cases
another bored and weakened soul
wearing the shoes of a ghost
playing old records over again
this year has become a decade
trying to remember a friend
a heartbeat counting backwards
whatever you want me to see
lies underneath your skin
yours to forget yours to change
a part of you in every beat
busted neon signs over locked doors
this unstable state we’re in
stay with me ‘til we get through july
cheap lyrics made for radio
joni made her baby cry too
on the floor out of cigarettes
a crowded road through your veil
no such thing as falling gently
if only rails ran through this town
Tuesday, May 31, 2011
Essential May '11
Essential viewing this May:
- Before summer arrives and the only thing available in cinemas will be huge blockbusters, it is very nice to start the season off with a terrific American independent film. Blue Valentine stars Ryan Gosling and Michelle Williams and is a powerful and credible story about love, as opposed to the traditional love stories told through Hollywood. The films low budget naturally makes this both raw and simplistic, but director Derek Cianfrance makes the most out of everything, and while relying heavily on his actors, he has created a wonderfully moving picture. Gosling and Williams are both superb and their performances force this experience under your skin, where it will stay for a long time.
- Alongside last month’s release of their new album Wasting Light, Foo Fighters also came out with a feature documentary Back And Forth, covering the band’s story from their origin up until the recording of the new record. Directed by James Moll (who took home the Oscar for best doc with 1998’s The Last Days) this is a very entertaining and interesting film. Naturally it offers more for fans of the band, but this should be intriguing for any audience. It covers the bands success and stories from the industry, but mainly this film is about friendship, loyalty and it does not only celebrate the joys of life, but also the impact pain and hardship has on everything we do. That, and the music kicks ass.
- At the end of 2009 this writer went on to list Moon, the feature length directorial debut by Duncan Jones the best picture of the year. And it was by a landslide. Two years later, Jones returns with Source Code, and this time he brings plenty of Hollywood with him. Jake Gyllenhaal stars as the American soldier serving his country in what can mildly be called an experimental war on terror. And for most of it, it is one incredibly thrilling ride. It seems Jones may have had to answer to one too many studio heads in order to satisfy the popcorn munching audiences, when it comes to the final act. But up until that, this is a wonderfully entertaining blockbuster, with a terrific original script by Ben Ripley, and strong performances by everyone involved. Hopefully Jones is working on his own blockbuster script as we speak, so that next time we may be in for an equally earth shattering experience as his debut was.
Essential listening this May:
- The self titled debut album of Nashville rockers Mona is this month’s biggest treat. Influenced by early American rock & roll, alongside massive acts such as The Killers or even U2, this comes across as a sweet mix of simple rock tracks against stadium filling grandiose hits. It is an absolute joy from start to finish. It varies quite in levels of how hard-hitting each song is, but the overall quality is very impressive and strong for a first album. Mona is expected to have a promising future by big outlets like Q and NME, and if they manage to bring the energy and positivity from this album onto the stage, and eventually releasing an even better second record, most of the work may already be done.
- After collaborating with several other artists, both as band and producers, Okkervil River finally release an album of their own with I Am Very Far. This is their sixth album and the sequel to 2008’s incredible The Stand-Ins. Their latest outing may come off as more complex or even slightly darker than previous material, but if you allow it a few more spins it actually comes out in even more harmony than before. A massive soundsscape make certain tracks seem like symphonies while the rough indie feel is never far off. A triumphant return from one of America’s finest offbeat outfits.
- Despite having released three albums before this month’s God Willin’ & The Creek Don’t Rise, Ray Lamontagne is a new acquaintance for this writer. His latest record is a tremendous effort filled with soulful blues and country rock, complimented with great lyrics. Lamontagne’s gutwrenching voice alone is enough to knock your socks off and it was this riveting performance alongside The Pariah Dogs on an episode of The Late Show that caught my attention. Get some!
- Before summer arrives and the only thing available in cinemas will be huge blockbusters, it is very nice to start the season off with a terrific American independent film. Blue Valentine stars Ryan Gosling and Michelle Williams and is a powerful and credible story about love, as opposed to the traditional love stories told through Hollywood. The films low budget naturally makes this both raw and simplistic, but director Derek Cianfrance makes the most out of everything, and while relying heavily on his actors, he has created a wonderfully moving picture. Gosling and Williams are both superb and their performances force this experience under your skin, where it will stay for a long time.
- Alongside last month’s release of their new album Wasting Light, Foo Fighters also came out with a feature documentary Back And Forth, covering the band’s story from their origin up until the recording of the new record. Directed by James Moll (who took home the Oscar for best doc with 1998’s The Last Days) this is a very entertaining and interesting film. Naturally it offers more for fans of the band, but this should be intriguing for any audience. It covers the bands success and stories from the industry, but mainly this film is about friendship, loyalty and it does not only celebrate the joys of life, but also the impact pain and hardship has on everything we do. That, and the music kicks ass.
- At the end of 2009 this writer went on to list Moon, the feature length directorial debut by Duncan Jones the best picture of the year. And it was by a landslide. Two years later, Jones returns with Source Code, and this time he brings plenty of Hollywood with him. Jake Gyllenhaal stars as the American soldier serving his country in what can mildly be called an experimental war on terror. And for most of it, it is one incredibly thrilling ride. It seems Jones may have had to answer to one too many studio heads in order to satisfy the popcorn munching audiences, when it comes to the final act. But up until that, this is a wonderfully entertaining blockbuster, with a terrific original script by Ben Ripley, and strong performances by everyone involved. Hopefully Jones is working on his own blockbuster script as we speak, so that next time we may be in for an equally earth shattering experience as his debut was.
Essential listening this May:
- The self titled debut album of Nashville rockers Mona is this month’s biggest treat. Influenced by early American rock & roll, alongside massive acts such as The Killers or even U2, this comes across as a sweet mix of simple rock tracks against stadium filling grandiose hits. It is an absolute joy from start to finish. It varies quite in levels of how hard-hitting each song is, but the overall quality is very impressive and strong for a first album. Mona is expected to have a promising future by big outlets like Q and NME, and if they manage to bring the energy and positivity from this album onto the stage, and eventually releasing an even better second record, most of the work may already be done.
- After collaborating with several other artists, both as band and producers, Okkervil River finally release an album of their own with I Am Very Far. This is their sixth album and the sequel to 2008’s incredible The Stand-Ins. Their latest outing may come off as more complex or even slightly darker than previous material, but if you allow it a few more spins it actually comes out in even more harmony than before. A massive soundsscape make certain tracks seem like symphonies while the rough indie feel is never far off. A triumphant return from one of America’s finest offbeat outfits.
- Despite having released three albums before this month’s God Willin’ & The Creek Don’t Rise, Ray Lamontagne is a new acquaintance for this writer. His latest record is a tremendous effort filled with soulful blues and country rock, complimented with great lyrics. Lamontagne’s gutwrenching voice alone is enough to knock your socks off and it was this riveting performance alongside The Pariah Dogs on an episode of The Late Show that caught my attention. Get some!
Tuesday, May 3, 2011
Saturday, April 30, 2011
Essential April '11
Essential viewing this April:
- After serving as a screenwriter on films such as Ocean’s Twelve (2004) and The Bourne Ultimatum (2007) it was no surprise that George Nolfi went on to cast Matt Damon for his first directorial outing. And a wise choice indeed as Damon is one half of the finest pairing to come out of Hollywood in years. The other half is Emily Blunt and the film is The Adjustment Bureau. A romantic thriller with a touch of science fiction does not sound as a safe bet, but Nolfi makes it work, much thanks to his compelling leading pair. Based on a short story by Philip K. Dick, this is surprisingly moving and effective, and a very positive debut from a director who will be interesting to follow in his next move from the big chair.
- Another writer making his feature film debut this season is John Wells. After conquering TV with endless episodes of The West Wing and E.R. he now moves to the big screen with The Company Men. A well acted drama about corporate downsizing, perhaps not an idea that screams entertainment, but a strong script (which Wells penned himself) and a solid ensemble of actors make this an engaging watch. A surprisingly strong leading role from Ben Affleck with high quality support in Chris Cooper and Tommy Lee Jones ensures a both moving and interesting film. The sensitive material may have scared off the audiences stateside, but this is a valuable bit of filmmaking from John Wells.
- The podcasts from Ricky Gervais, Steve Merchant and Karl Pilkington have gone on to become a global phenomenon. When HBO first launched the idea of an animated series based on The Ricky Gervais Show, many were skeptical if the humor would be as entertaining on screen. After just wrapping up their second season and already being green lit for a third, it is safe to say that the lads have successfully conquered TV as well. With more detailed and incorporated animation than in its debut season, season two is simply 13 episodes of pure brilliance. Even if you’re familiar with the podcasts, the simple animation is entertainment enough in itself, and if this is your first encounter with these fantastic conversations, simply hit ”play all” and enjoy!
Essential listening this April:
- When The Airborne Toxic Event released their debut album in 2009 this writer went on to list it the second best album of the year, only beaten by Soulsavers’ magnificent Broken. Two years later some of the enthusiasm might have settled down, but the bands second outing still has enough quality to get me going. All At Once is another great collection of indie pop/rock tracks that are fast, playfully driven and occasionally very catchy. The sound and feel of the album remain close to the first one, and even though the immediate infatuation is not as strong this time around this is a terrific American pop record.
- It is hard to believe that Foo Figthers’s latest release is in fact their seventh studio album, an impressive feat for any band. And Wasting Light is a reassuring return to familiar form after the mildly disappointing Echoes, Silence, Patience and Grace (2007). What that album lacked in energy and hard rock, Wasting Light makes up tenfold. From the very beginning Dave Grohl’s crew is there to let you know that this will be a no-nonsense ride. Another impressive trick is to despite being a very well produced record, the band still sounds rough around the edges, which always suited the fighters better than being perfect. Not revolutionary but, more importantly, a quality hard rockin’ album with great tracks that must be kicking and screaming to be played live this summer. Can’t wait!
- Another wonderful American band that have been around for a while is Explosions In The Sky, who this month return with their sixth album (an amusingly titled) Take Care, Take Care, Take Care. The band is still an all instrumental outfit, but the nerve and emotion of their guitars and drums doesn’t fall short to any other band, and a vocalist would simply get lost in this glorious company. With a modest six tracks, this album is one beautiful symphony of inspiring rock that carries its heart on its sleeve.
Close your eyes and enjoy the lovely Postcard From 1952. Sweet dreams guaranteed.
- After serving as a screenwriter on films such as Ocean’s Twelve (2004) and The Bourne Ultimatum (2007) it was no surprise that George Nolfi went on to cast Matt Damon for his first directorial outing. And a wise choice indeed as Damon is one half of the finest pairing to come out of Hollywood in years. The other half is Emily Blunt and the film is The Adjustment Bureau. A romantic thriller with a touch of science fiction does not sound as a safe bet, but Nolfi makes it work, much thanks to his compelling leading pair. Based on a short story by Philip K. Dick, this is surprisingly moving and effective, and a very positive debut from a director who will be interesting to follow in his next move from the big chair.
- Another writer making his feature film debut this season is John Wells. After conquering TV with endless episodes of The West Wing and E.R. he now moves to the big screen with The Company Men. A well acted drama about corporate downsizing, perhaps not an idea that screams entertainment, but a strong script (which Wells penned himself) and a solid ensemble of actors make this an engaging watch. A surprisingly strong leading role from Ben Affleck with high quality support in Chris Cooper and Tommy Lee Jones ensures a both moving and interesting film. The sensitive material may have scared off the audiences stateside, but this is a valuable bit of filmmaking from John Wells.
- The podcasts from Ricky Gervais, Steve Merchant and Karl Pilkington have gone on to become a global phenomenon. When HBO first launched the idea of an animated series based on The Ricky Gervais Show, many were skeptical if the humor would be as entertaining on screen. After just wrapping up their second season and already being green lit for a third, it is safe to say that the lads have successfully conquered TV as well. With more detailed and incorporated animation than in its debut season, season two is simply 13 episodes of pure brilliance. Even if you’re familiar with the podcasts, the simple animation is entertainment enough in itself, and if this is your first encounter with these fantastic conversations, simply hit ”play all” and enjoy!
Essential listening this April:
- When The Airborne Toxic Event released their debut album in 2009 this writer went on to list it the second best album of the year, only beaten by Soulsavers’ magnificent Broken. Two years later some of the enthusiasm might have settled down, but the bands second outing still has enough quality to get me going. All At Once is another great collection of indie pop/rock tracks that are fast, playfully driven and occasionally very catchy. The sound and feel of the album remain close to the first one, and even though the immediate infatuation is not as strong this time around this is a terrific American pop record.
- It is hard to believe that Foo Figthers’s latest release is in fact their seventh studio album, an impressive feat for any band. And Wasting Light is a reassuring return to familiar form after the mildly disappointing Echoes, Silence, Patience and Grace (2007). What that album lacked in energy and hard rock, Wasting Light makes up tenfold. From the very beginning Dave Grohl’s crew is there to let you know that this will be a no-nonsense ride. Another impressive trick is to despite being a very well produced record, the band still sounds rough around the edges, which always suited the fighters better than being perfect. Not revolutionary but, more importantly, a quality hard rockin’ album with great tracks that must be kicking and screaming to be played live this summer. Can’t wait!
- Another wonderful American band that have been around for a while is Explosions In The Sky, who this month return with their sixth album (an amusingly titled) Take Care, Take Care, Take Care. The band is still an all instrumental outfit, but the nerve and emotion of their guitars and drums doesn’t fall short to any other band, and a vocalist would simply get lost in this glorious company. With a modest six tracks, this album is one beautiful symphony of inspiring rock that carries its heart on its sleeve.
Close your eyes and enjoy the lovely Postcard From 1952. Sweet dreams guaranteed.
Friday, April 29, 2011
Great Stand-Up
One of the best short stand-up routines I've ever seen!
Phil Hanley performing on the Late Late Show with Craig Ferguson on CBS March 11, 2011.
Tuesday, April 19, 2011
The Music
A few weeks ago, one of my favorite bands announced that they are retiring and will no longer release any new music together. That band is The Music.
The Music was formed in Leeds and released their first, self titled debut album in 2002. The album reached an impressive #4 spot on the UK charts and would prove to be the bands highest ranking. Despite never becoming a global best-selling act they would always receive great reviews from critics and they enjoyed a tremendous respect in the UK music community. The track Getaway from their first album is the first song I ever heard by the band and it is still one of my favorites.
Two years later the band released their second album Welcome To The North. It was another hit with critics and the band went on a global tour to promote the album. The first single Freedom Fighters is another great example of their powerful style, filled with energy, strong riffs and a great chorus.
After the second album there was a period of complete silence around the band. Rumours started saying they had split up and many thought they would never be heard from again. When the band changed labels in 2007, lead singer Robert Harvey confessed to have struggled with alcohol and claimed this to be the reason for the long absence. However he overcame his troubles and 2008 saw the release of their much anticipated third album Strenght In Numbers. The returning band appeared to be more focused and stronger than ever.
On March 31 the band announced on their website that they would play a limited number of concerts this summer and that this would be the end of The Music. The song Ghost Hands would be the bands last ever song. They were a terrific band and it is a shame that there will never be another The Music album.
The Music R.I.P.
The Music was formed in Leeds and released their first, self titled debut album in 2002. The album reached an impressive #4 spot on the UK charts and would prove to be the bands highest ranking. Despite never becoming a global best-selling act they would always receive great reviews from critics and they enjoyed a tremendous respect in the UK music community. The track Getaway from their first album is the first song I ever heard by the band and it is still one of my favorites.
Two years later the band released their second album Welcome To The North. It was another hit with critics and the band went on a global tour to promote the album. The first single Freedom Fighters is another great example of their powerful style, filled with energy, strong riffs and a great chorus.
After the second album there was a period of complete silence around the band. Rumours started saying they had split up and many thought they would never be heard from again. When the band changed labels in 2007, lead singer Robert Harvey confessed to have struggled with alcohol and claimed this to be the reason for the long absence. However he overcame his troubles and 2008 saw the release of their much anticipated third album Strenght In Numbers. The returning band appeared to be more focused and stronger than ever.
On March 31 the band announced on their website that they would play a limited number of concerts this summer and that this would be the end of The Music. The song Ghost Hands would be the bands last ever song. They were a terrific band and it is a shame that there will never be another The Music album.
The Music R.I.P.
Monday, April 18, 2011
Sound City
This past weekend saw the first ever Sound City festival take place in Tromsø. Sound City is a festival concept from Liverpool, UK which has gone on to establish festivals not only in its hometown, but also in Dubai and showcasing at the South By Southwest festival in Texas, USA. The idea to bring this renowned festival to the far north of Norway is both bold and inspiring. The festival featured interesting seminars from a wide variety of British speakers and saw thirty bands perform live shows on three stages over two days.
The festival was a great success and will be repeated next year, hopefully become an institution, and establish long lasting working relationships between Tromsø and the international music and art scene.
Here is a selection of various media coverage which give you an idea about the festival.
http://www.bbc.co.uk/news/uk-england-merseyside-13019859
http://ballade.no/nmi.nsf/doc/art2011041113520424204165
http://www.nordlys.no/kronikk/article5399609.ece
Thursday, March 31, 2011
Essential March '11
Essential viewing this March:
- Straight from its winning turn at this years Oscars arrives Inside Job, a documentary about the origin of the global financial crisis three years ago. The subject matter shouldn’t be enough to draw interest from the average film enthusiast, but this doc is equally entertaining and educational. Like with his first film, the successful No End In Sight (2007), director Charles Ferguson is not afraid of controversy and faces his interview objects head on, making more than one decide to withdraw. There is much analysis, numbers and organizations are tirelessly listed throughout, but Inside Job still manages to be one of the most compelling American docs in a long time.
- One of the strongest character dramas to come out of Hollywood so far this year is Rabbit Hole. Nicole Kidman and Aaaron Eckhart are the married couple struggling to find their feet, and each other, after the loss of their only son. Although the subject matter is dark there is a surprising touch of humor in David Lindsay-Abaire’s screenplay (based on his own play) and director John Cameron Mitchell balances the story well. Kidman is extraordinary, turning in her best performance in years while Eckhart plays off her well, but shines even more when he has the screen all to himself. A very strong and convincing film.
- Over the past ten years Philip Seymour Hoffman has established himself as one of the most credible actors of his generation, mainly through American independent films. So for his directorial debut it is no surprise that he has chosen the low key Jack Goes Boating, based on Robert Glaudini’s New York play. Hoffman plays the lead as a lonely limo driver who struggles to find his place in a new and unfamiliar relationship. With strong support from Amy Ryan and John Ortiz, Hoffman takes a moving and amusing look at the quiet discomfort within people relating to each other. Perhaps he doesn’t take any risks, but Hoffman proves to have a steady hand at story and a nice sense of timing which will make it exciting to see what he does next from behind the camera.
Essential listening this March:
- The release of a brand new R.E.M. record might not longer be the event it used to be, but their 15th studio album Collapse Into Now is a very strong effort and deserves attention never the less. A solid follow up to their previous Accelerate (2008) which was a comforting return to form after a few rather uninteresting outings. This album is also dominated by guitars, Michael Stipe’s ever depending voice and features some of the finest tracks the band has produced in many years. The overall quality suffers a bit due to a few dull pieces, but still Collapse Into Now could prove to be the bands finest hour since 1996’s New Adventures In Hi-Fi.
- When The Pains Of Being Pure At Heart appeared in 2009 with their self titled debut, this writer was overwhelmed and went on to list it as the third best album of the year! Two years later they are back with the sequel, aptly titled Belong. Like many following a first success the second record is bigger in both sound and ambition. But the goal is the same, to create irresistible straight forward pop tracks. And once again, they are successful. From the opening title track to the closing Strange, this is a delicious mix of guitar rock, dreamy pop, catchy riffs and seducing lyrics. In a word: sexy.
- After being listed as one of “the ones to watch” by endless music outlets, The Vaccines arrive with their debut this month, the wonderfully titled What Did You Expect From The Vaccines? This quartet from London plays loud rock with the occasional element of sweet punk. With eleven tracks ticking in at just over half an hour, this is fast and intense and should become a massive hit at festival stages over the coming summer. Drawing resemblances to other bands one could be tempted to say that this should do for The Vaccines what Is This It did for The Strokes, arriving exactly ten years after the Americans debut. Let’s hope the Brits prove more stabile and lingering.
Enjoy If You Wanna and start counting the days till the weather allows us to blast this from our car stereo with all the windows down!
- Straight from its winning turn at this years Oscars arrives Inside Job, a documentary about the origin of the global financial crisis three years ago. The subject matter shouldn’t be enough to draw interest from the average film enthusiast, but this doc is equally entertaining and educational. Like with his first film, the successful No End In Sight (2007), director Charles Ferguson is not afraid of controversy and faces his interview objects head on, making more than one decide to withdraw. There is much analysis, numbers and organizations are tirelessly listed throughout, but Inside Job still manages to be one of the most compelling American docs in a long time.
- One of the strongest character dramas to come out of Hollywood so far this year is Rabbit Hole. Nicole Kidman and Aaaron Eckhart are the married couple struggling to find their feet, and each other, after the loss of their only son. Although the subject matter is dark there is a surprising touch of humor in David Lindsay-Abaire’s screenplay (based on his own play) and director John Cameron Mitchell balances the story well. Kidman is extraordinary, turning in her best performance in years while Eckhart plays off her well, but shines even more when he has the screen all to himself. A very strong and convincing film.
- Over the past ten years Philip Seymour Hoffman has established himself as one of the most credible actors of his generation, mainly through American independent films. So for his directorial debut it is no surprise that he has chosen the low key Jack Goes Boating, based on Robert Glaudini’s New York play. Hoffman plays the lead as a lonely limo driver who struggles to find his place in a new and unfamiliar relationship. With strong support from Amy Ryan and John Ortiz, Hoffman takes a moving and amusing look at the quiet discomfort within people relating to each other. Perhaps he doesn’t take any risks, but Hoffman proves to have a steady hand at story and a nice sense of timing which will make it exciting to see what he does next from behind the camera.
Essential listening this March:
- The release of a brand new R.E.M. record might not longer be the event it used to be, but their 15th studio album Collapse Into Now is a very strong effort and deserves attention never the less. A solid follow up to their previous Accelerate (2008) which was a comforting return to form after a few rather uninteresting outings. This album is also dominated by guitars, Michael Stipe’s ever depending voice and features some of the finest tracks the band has produced in many years. The overall quality suffers a bit due to a few dull pieces, but still Collapse Into Now could prove to be the bands finest hour since 1996’s New Adventures In Hi-Fi.
- When The Pains Of Being Pure At Heart appeared in 2009 with their self titled debut, this writer was overwhelmed and went on to list it as the third best album of the year! Two years later they are back with the sequel, aptly titled Belong. Like many following a first success the second record is bigger in both sound and ambition. But the goal is the same, to create irresistible straight forward pop tracks. And once again, they are successful. From the opening title track to the closing Strange, this is a delicious mix of guitar rock, dreamy pop, catchy riffs and seducing lyrics. In a word: sexy.
- After being listed as one of “the ones to watch” by endless music outlets, The Vaccines arrive with their debut this month, the wonderfully titled What Did You Expect From The Vaccines? This quartet from London plays loud rock with the occasional element of sweet punk. With eleven tracks ticking in at just over half an hour, this is fast and intense and should become a massive hit at festival stages over the coming summer. Drawing resemblances to other bands one could be tempted to say that this should do for The Vaccines what Is This It did for The Strokes, arriving exactly ten years after the Americans debut. Let’s hope the Brits prove more stabile and lingering.
Enjoy If You Wanna and start counting the days till the weather allows us to blast this from our car stereo with all the windows down!
Tuesday, March 29, 2011
Monday, March 7, 2011
Sunday, March 6, 2011
"Last Call"
this night has no imagination
in dire need of some more education
tonight i'm gonna blow my cover
resurrect like some lost piece of art
every drink has a bitter taste
these promises won't make it through the night
this hole ain't deep enough for you and me
everything you say has a hangover
hurry home to a bed with one side
last call for any heartbeat in the house
there is always traffic in front of you
turning us on is enough to bore us
slow derail in every look you send
this home feels like a hotel
the kiss feels like murder but
you don't taste like the real thing
in dire need of some more education
tonight i'm gonna blow my cover
resurrect like some lost piece of art
every drink has a bitter taste
these promises won't make it through the night
this hole ain't deep enough for you and me
everything you say has a hangover
hurry home to a bed with one side
last call for any heartbeat in the house
there is always traffic in front of you
turning us on is enough to bore us
slow derail in every look you send
this home feels like a hotel
the kiss feels like murder but
you don't taste like the real thing
Monday, February 28, 2011
Essential February '11
Essential viewing this February:
- The past few years have seen the magnificent Coen brothers more creative than ever and even though they have always been a big hit with the critics it is only with their last handful of pictures they have started to reach a large audience as well. This month sees the release of their first western which is True Grit, based on the successful novel by Charles Portis. As confident as ever, directors Joel and Ethan take on a new genre with great style and vision. Their ever trusted photographer Roger Deakins makes the most out of every single frame and the film looks absolutely incredible. Leading men Jeff Bridges and Matt Damon play their parts with the skill and enthusiasm you would expect, but the highest praise has to go to newcomer Hailee Steinfeld. With a confidence and presence I have never before seen in a teenage actor, she is simply a revelation. The film is wonderfully put together, and accompanied by Carter Burwell’s soothing score, it is one of the finest westerns to come out of Hollywood since Costner’s Dances With Wolves (1990) or Eastwood’s Unforgiven (1992).
- After a spell in Hollywood with 21 Grams (2003) and Babel (2006), Mexican born director Alejandro González Iñárritu heads to Spain and Barcelona with this months Biutiful. Featuring a powerhouse performance from Javier Bardem, it is a more delicate and somber film than Iñárritu’s previous outings. He relies much on Bardem, who delivers a nuanced and detailed performance which is both stirring and heartbreaking. The film takes its time, and the story is not short on heavy material or brutal reality so this is not for the faint hearted or impatient viewer. But if you are willing to take it all in and manage to stand alongside Bardem all the way through, you will realize that something has changed inside of you when the credits roll. Like a quiet drug, Iñárritu manages to pull off what every good film is supposed to; you will feel different when the lights come on.
- Another great film which makes a tremendous impact with fairly few means this month is Winter’s Bone. Only the second feature from director Debra Granik, this is a simple story told in a sober and honest fashion. Set in the bleak Ozark Mountains where nothing much changes but the seasons, the film is beautifully shot and features two stellar performances from Jennifer Lawrence and John Hawkes, who both rightfully got noticed by the Academy. This is a strong tale that does not shy away from confrontation, and the result is a realistic and impressive achievement which will be hard to shake.
Essential listening this February:
- Mogwai returns this month with their impressive seventh studio album. The wonderfully titled Hardcore Will Never Die, But You Will is a strong addition to their catalogue without challenging themselves too much perhaps. The format is still the same and the songs are as usual not the most accessible material you’ll come across, but the instrumental quality is never in doubt. The Scottish band delivers more great industrial rock, this time with heavier riffs and beautiful set-ups. The sound is epic without ever being pompous and there is an emotional core that is impossible to ignore. A solid release.
- Two years ago, Norwegian singer/songwriter Stein Torleif Bjella arrived from nowhere and received some of the strongest reviews of the year. But where his debut album came as a big surprise, the sequel Vonde Visu arrived this month to massive expectations. And it’s very nice to hear that it not only meets these, but also comes very close to matching his masterful debut. The approach is the same, the songs simply crafted but the true magic of Bjella lies in his lyrics. Moving from poetic to hilarious and downright heartbreaking, it is impossible to not be affected by his genuinely original voice. Vonde Visu will certainly stand as one of the finest albums to rise from these Nordic shores this year.
- After nearly a decade with mixed reviews and falling success, combined with the conflicts between its two main players, it seemed inevitable that Oasis would eventually split up. But when it happened, lead singer Liam Gallagher was quick to say that he would soon return and this month his new outfit Beady Eye release their first album. The title is Different Gear, Still Speeding and although it might vary a little too much in quality from song to song, there is enough in here to make it worth a listen. With the other members of the band also carrying a history from Oasis, it was never expected that this would stray too far away from that familiar recipe. With 13 tracks, the album may have benefitted from a little trimming but the final impression is still that this album has much to offer and will probably grow stronger through repeated visits.
And the cool and catchy first single, Bring The Light, represents the album well.
- The past few years have seen the magnificent Coen brothers more creative than ever and even though they have always been a big hit with the critics it is only with their last handful of pictures they have started to reach a large audience as well. This month sees the release of their first western which is True Grit, based on the successful novel by Charles Portis. As confident as ever, directors Joel and Ethan take on a new genre with great style and vision. Their ever trusted photographer Roger Deakins makes the most out of every single frame and the film looks absolutely incredible. Leading men Jeff Bridges and Matt Damon play their parts with the skill and enthusiasm you would expect, but the highest praise has to go to newcomer Hailee Steinfeld. With a confidence and presence I have never before seen in a teenage actor, she is simply a revelation. The film is wonderfully put together, and accompanied by Carter Burwell’s soothing score, it is one of the finest westerns to come out of Hollywood since Costner’s Dances With Wolves (1990) or Eastwood’s Unforgiven (1992).
- After a spell in Hollywood with 21 Grams (2003) and Babel (2006), Mexican born director Alejandro González Iñárritu heads to Spain and Barcelona with this months Biutiful. Featuring a powerhouse performance from Javier Bardem, it is a more delicate and somber film than Iñárritu’s previous outings. He relies much on Bardem, who delivers a nuanced and detailed performance which is both stirring and heartbreaking. The film takes its time, and the story is not short on heavy material or brutal reality so this is not for the faint hearted or impatient viewer. But if you are willing to take it all in and manage to stand alongside Bardem all the way through, you will realize that something has changed inside of you when the credits roll. Like a quiet drug, Iñárritu manages to pull off what every good film is supposed to; you will feel different when the lights come on.
- Another great film which makes a tremendous impact with fairly few means this month is Winter’s Bone. Only the second feature from director Debra Granik, this is a simple story told in a sober and honest fashion. Set in the bleak Ozark Mountains where nothing much changes but the seasons, the film is beautifully shot and features two stellar performances from Jennifer Lawrence and John Hawkes, who both rightfully got noticed by the Academy. This is a strong tale that does not shy away from confrontation, and the result is a realistic and impressive achievement which will be hard to shake.
Essential listening this February:
- Mogwai returns this month with their impressive seventh studio album. The wonderfully titled Hardcore Will Never Die, But You Will is a strong addition to their catalogue without challenging themselves too much perhaps. The format is still the same and the songs are as usual not the most accessible material you’ll come across, but the instrumental quality is never in doubt. The Scottish band delivers more great industrial rock, this time with heavier riffs and beautiful set-ups. The sound is epic without ever being pompous and there is an emotional core that is impossible to ignore. A solid release.
- Two years ago, Norwegian singer/songwriter Stein Torleif Bjella arrived from nowhere and received some of the strongest reviews of the year. But where his debut album came as a big surprise, the sequel Vonde Visu arrived this month to massive expectations. And it’s very nice to hear that it not only meets these, but also comes very close to matching his masterful debut. The approach is the same, the songs simply crafted but the true magic of Bjella lies in his lyrics. Moving from poetic to hilarious and downright heartbreaking, it is impossible to not be affected by his genuinely original voice. Vonde Visu will certainly stand as one of the finest albums to rise from these Nordic shores this year.
- After nearly a decade with mixed reviews and falling success, combined with the conflicts between its two main players, it seemed inevitable that Oasis would eventually split up. But when it happened, lead singer Liam Gallagher was quick to say that he would soon return and this month his new outfit Beady Eye release their first album. The title is Different Gear, Still Speeding and although it might vary a little too much in quality from song to song, there is enough in here to make it worth a listen. With the other members of the band also carrying a history from Oasis, it was never expected that this would stray too far away from that familiar recipe. With 13 tracks, the album may have benefitted from a little trimming but the final impression is still that this album has much to offer and will probably grow stronger through repeated visits.
And the cool and catchy first single, Bring The Light, represents the album well.
Sunday, February 13, 2011
Monday, January 31, 2011
Essential January '11
Essential viewing this January,
Tromsø International Film Festival edition:
- Exit Through The Gift Shop has through its run at festivals around the world almost become a big a phenomenon as its subject. Following an eccentric French filmmaker who sets out to make a documentary about street / graffiti artists, but instead gets the camera turned on himself. It is one of the funniest and most fascinating films of its genre for a long time. With great irony and sense of humor celebrated artist (and in the end the film’s director) Banksy is not afraid to make fun of himself or his mates, while also raising their middle finger at the hilarity of so called experts and collectors.
- One of the festival's most pleasant surprises was the indie flick LittleRock, only the second feature from director Mike Ott. Set in the smallest of small town America the film does a great job in telling a warm and moving story without the support of big names or budget. Featuring wonderful performances from newcomers Atsuko Okatuka (who also co-wrote the film with Ott) and Cory Zacharia, this is a superb achievement and should result in its talent finding more opportunities brought to them.
- Danny Boyle has been a frequent participant in the festival program over the years and this time it was his 127 Hours that got to close the festival. A very different stroke from his two previous flicks Slumdog Millionaire (2009) and Sunshine (2008), this could not be further away from the streets of Mumbai or outer space. But taking place mostly in a single location and actor James Franco as the only face to rest his lens on, one could say this is an even more challenging task. But Boyle makes it work and the film is both thrilling and interesting throughout, owing a great deal of gratitude to its leading man. It is a career best performance from Franco and even though you might not manage to keep your eyes open for its entire final act, this is a film that will stay in your head long after leaving the theatre. Another triumph for Boyle, who is becoming one in a very small group of directors who has yet to make a poor film.
Essential listening this January:
- American indie rockers Tapes ‘n Tapes return this month with their third album. Outside is the title and it is a strong return to form after their mildly unsatisfying second outing, Walk It Off (2008). This installment has more catchy riffs, cool build ups and clever lyrics. You’d wish for them to reach a larger audience, but the untraditional approach and collection of tracks, without any real attempts at making a hit or radio friendly song, makes the possibility of that doubtful. It doesn’t take away any of the collective quality though as this is a very strong and well executed record.
- Another indie outfit releasing their third album these days is Cold War Kids. After the success of their debut five years ago and previous album Loyalty to Loyalty (2008) the pressure is certainly on. Mine Is Yours might not give the same strong first impression, but this is another solid contribution to their ever growing resume. Mainly rock compositions but there are some attempts at experimenting with their fitting formula, which may cause one to draw parallels to the likes of Radiohead or even The Shins. Despite struggling with some well known “third album” hiccups, this is a lovely release that will probably only grow with repeated visits.
- The Decemberists have been around for a while now, but have never received more unanimous praise from critics as they have with this month’s The King Is Dead. A great collection of tracks, with country and Americana and thankfully the band do not seem worried to be perceived as a straight up pop act either. There is a wonderful flow to the album and every song does a great job in creating an overall atmosphere with a very suiting and playful feel. Fronted by the terrific single Down By The Water (performed below on Conan), this could easily be the bands finest hour.
Tromsø International Film Festival edition:
- Exit Through The Gift Shop has through its run at festivals around the world almost become a big a phenomenon as its subject. Following an eccentric French filmmaker who sets out to make a documentary about street / graffiti artists, but instead gets the camera turned on himself. It is one of the funniest and most fascinating films of its genre for a long time. With great irony and sense of humor celebrated artist (and in the end the film’s director) Banksy is not afraid to make fun of himself or his mates, while also raising their middle finger at the hilarity of so called experts and collectors.
- One of the festival's most pleasant surprises was the indie flick LittleRock, only the second feature from director Mike Ott. Set in the smallest of small town America the film does a great job in telling a warm and moving story without the support of big names or budget. Featuring wonderful performances from newcomers Atsuko Okatuka (who also co-wrote the film with Ott) and Cory Zacharia, this is a superb achievement and should result in its talent finding more opportunities brought to them.
- Danny Boyle has been a frequent participant in the festival program over the years and this time it was his 127 Hours that got to close the festival. A very different stroke from his two previous flicks Slumdog Millionaire (2009) and Sunshine (2008), this could not be further away from the streets of Mumbai or outer space. But taking place mostly in a single location and actor James Franco as the only face to rest his lens on, one could say this is an even more challenging task. But Boyle makes it work and the film is both thrilling and interesting throughout, owing a great deal of gratitude to its leading man. It is a career best performance from Franco and even though you might not manage to keep your eyes open for its entire final act, this is a film that will stay in your head long after leaving the theatre. Another triumph for Boyle, who is becoming one in a very small group of directors who has yet to make a poor film.
Essential listening this January:
- American indie rockers Tapes ‘n Tapes return this month with their third album. Outside is the title and it is a strong return to form after their mildly unsatisfying second outing, Walk It Off (2008). This installment has more catchy riffs, cool build ups and clever lyrics. You’d wish for them to reach a larger audience, but the untraditional approach and collection of tracks, without any real attempts at making a hit or radio friendly song, makes the possibility of that doubtful. It doesn’t take away any of the collective quality though as this is a very strong and well executed record.
- Another indie outfit releasing their third album these days is Cold War Kids. After the success of their debut five years ago and previous album Loyalty to Loyalty (2008) the pressure is certainly on. Mine Is Yours might not give the same strong first impression, but this is another solid contribution to their ever growing resume. Mainly rock compositions but there are some attempts at experimenting with their fitting formula, which may cause one to draw parallels to the likes of Radiohead or even The Shins. Despite struggling with some well known “third album” hiccups, this is a lovely release that will probably only grow with repeated visits.
- The Decemberists have been around for a while now, but have never received more unanimous praise from critics as they have with this month’s The King Is Dead. A great collection of tracks, with country and Americana and thankfully the band do not seem worried to be perceived as a straight up pop act either. There is a wonderful flow to the album and every song does a great job in creating an overall atmosphere with a very suiting and playful feel. Fronted by the terrific single Down By The Water (performed below on Conan), this could easily be the bands finest hour.
Saturday, January 29, 2011
Michael Scott meets David Brent
It's still only January, but this just might be the television moment of the year.
Brilliant.
Brilliant.
Monday, January 24, 2011
Tuesday, January 11, 2011
"Cold"
bright lights burning out
this train only stops at the major cities
take a picture while there’s still time
this heart opens when the bar closes
all is visible inside your room
what happened today won’t happen tomorrow
is this that arc they all talk about
two down but still one up on you
words that cut like fake glass
old photos in a forgotten drawer
frozen rails may slow us down, but
we don’t need a bridge to cross these waters
this train only stops at the major cities
take a picture while there’s still time
this heart opens when the bar closes
all is visible inside your room
what happened today won’t happen tomorrow
is this that arc they all talk about
two down but still one up on you
words that cut like fake glass
old photos in a forgotten drawer
frozen rails may slow us down, but
we don’t need a bridge to cross these waters
Thursday, December 30, 2010
Essential December '10
Essential viewing this December:
- With a budget of 54 million kroner, Kongen av Bastøy (King of Devil’s Island), is the most expensive Norwegian production of all time. So it is comforting to see that it also just might be the best thing to come out of the country in a long time. A powerful and emotional story that is both visually and technically impressive. Strong performances, from Kristoffer Joner in particular, make this a compelling view from start to finish. And in adding this to his already impressive resume, director Marius Holst is proving himself as the finest Norwegian filmmaker of his generation.
- Many were impressed, and fairly surprised, when Ben Affleck revealed his directorial debut Gone Baby Gone in 2007. And with his second turn in the big chair he proves that it was not a fluke. The Town is a fast paced, well acted and precisely executed thriller. A terrific ensemble adds to the films credibility and the action sequences are both exciting and memorable. A very strong effort from Affleck with should earn him plenty more opportunities behind the camera.
- One of the finest American indies of the year has to be Cyrus. Brothers Mark and Jay Duplass have a sharp script and a neat approach to the deadpan comedy in this slightly bizarre flick. Great work from actors John C. Reilly and Jonah Hill (finally showing how amazing he can be when he just turns everything down a notch) makes this a fresh and original movie with so many great moments that you’re just dying to see it again.
Essential listening this December:
- The Doors have been both blessed and cursed with the various quality of releases since their existence came to an end. But the double album Live in Vancouver 1970 is luckily one of the best ones yet. A great setlist and a Jim Morrison on the right side of crazy makes this a terrific experience, and the idea that the occasional tuning deserves its own track number is just hilarious.
- The months before Christmas is the high season for greatest hits and best of-collections and the now dissolved Norwegian band Madrugada (and mainly their label) wants in on it. This double album, simply titled The Best of Madrugada is a strong compilation and another reminder of the bands greatness. It’s disappointing that there’s just one new song on it, but if seen as either a summary or an introduction to the band, this more than gets the job done.
- Many were waiting ready with their axes when Kanye West released his latest album My Beautiful Dark Twisted Fantasy. But they all have to bow their heads in silence since West has produced his best album since his debut The College Dropout (2004). Thankfully leaving his autotune microphone out of it for most parts, the quality of the music is unquestionable. West is more convincing, more loud and more of everything that he does best. Fronted by the superb singles Runaway and Power, there is enough tracks on this to ensure him a dozen more number ones in the year to come.
And the video to the highly addictive Runaway is a real treat.
- With a budget of 54 million kroner, Kongen av Bastøy (King of Devil’s Island), is the most expensive Norwegian production of all time. So it is comforting to see that it also just might be the best thing to come out of the country in a long time. A powerful and emotional story that is both visually and technically impressive. Strong performances, from Kristoffer Joner in particular, make this a compelling view from start to finish. And in adding this to his already impressive resume, director Marius Holst is proving himself as the finest Norwegian filmmaker of his generation.
- Many were impressed, and fairly surprised, when Ben Affleck revealed his directorial debut Gone Baby Gone in 2007. And with his second turn in the big chair he proves that it was not a fluke. The Town is a fast paced, well acted and precisely executed thriller. A terrific ensemble adds to the films credibility and the action sequences are both exciting and memorable. A very strong effort from Affleck with should earn him plenty more opportunities behind the camera.
- One of the finest American indies of the year has to be Cyrus. Brothers Mark and Jay Duplass have a sharp script and a neat approach to the deadpan comedy in this slightly bizarre flick. Great work from actors John C. Reilly and Jonah Hill (finally showing how amazing he can be when he just turns everything down a notch) makes this a fresh and original movie with so many great moments that you’re just dying to see it again.
Essential listening this December:
- The Doors have been both blessed and cursed with the various quality of releases since their existence came to an end. But the double album Live in Vancouver 1970 is luckily one of the best ones yet. A great setlist and a Jim Morrison on the right side of crazy makes this a terrific experience, and the idea that the occasional tuning deserves its own track number is just hilarious.
- The months before Christmas is the high season for greatest hits and best of-collections and the now dissolved Norwegian band Madrugada (and mainly their label) wants in on it. This double album, simply titled The Best of Madrugada is a strong compilation and another reminder of the bands greatness. It’s disappointing that there’s just one new song on it, but if seen as either a summary or an introduction to the band, this more than gets the job done.
- Many were waiting ready with their axes when Kanye West released his latest album My Beautiful Dark Twisted Fantasy. But they all have to bow their heads in silence since West has produced his best album since his debut The College Dropout (2004). Thankfully leaving his autotune microphone out of it for most parts, the quality of the music is unquestionable. West is more convincing, more loud and more of everything that he does best. Fronted by the superb singles Runaway and Power, there is enough tracks on this to ensure him a dozen more number ones in the year to come.
And the video to the highly addictive Runaway is a real treat.
Friday, December 24, 2010
Thursday, December 23, 2010
Essential 2010
Essential viewing in 2010:
1. Inception (Christopher Nolan)
This dazzling display of effects combined with some genuinely original writing proved that blockbuster entertainment can also be art. The best picture of the year.
2. The Killer Inside Me (Michael Winterbottom)
The darkest and most haunting film in years, with a career best performance from Casey Affleck. A remarkable achievement in storytelling and character.
3. The Road (John Hillcoat)
The apocalypse has never been more emotional or beautiful than this. Amazing photography and a very strong performance from Viggo Mortensen. One of the most overlooked masterpieces of the year.
4. Scott Pilgrim vs. The World (Edgar Wright)
The most original and hilarious comedy in ages, featuring a great soundtrack and some wonderful editing. We’ve never seen anything like this before.
5. The American (Anton Corbijn)
The best looking picture of the year and a terrific turn from George Clooney. This will make Corbijn the most desireable director for every actor in Hollywood.
Top three runners up: The Messenger – Youth In Revolt – Cemetery Junction
Essential listening in 2010:
1. The National – High Violet
Their fifth album just might turn out to be the cornerstone of their work. No contest. The best album of the year.
2. Arcade Fire – The Suburbs
After their run as indie darlings these Canadians are finally ready to become the biggest band in the world. The Suburbs is the album U2 has been trying to make for 20 years.
3. Tired Pony – The Place We Ran From
Proof that a so called “super group” actually might work sometimes. A terrific collection of pop music with a sentimental heart.
4. Vampire Weekend – Contra
Picks up where their brilliant debut left off and just keeps going! A sensational mix of every musical emotion there is.
5. The Gaslight Anthem – American Slang
Bigger and stronger than their first two, and out to send the most important message of all: rock is a positive!
Top three runners up: Surfer Blood, Astro Coast – Isobel Campbell & Mark Lanegan, Hawk – The Hold Steady, Heaven Is Whenever
Let's have it, 2011.
1. Inception (Christopher Nolan)
This dazzling display of effects combined with some genuinely original writing proved that blockbuster entertainment can also be art. The best picture of the year.
2. The Killer Inside Me (Michael Winterbottom)
The darkest and most haunting film in years, with a career best performance from Casey Affleck. A remarkable achievement in storytelling and character.
3. The Road (John Hillcoat)
The apocalypse has never been more emotional or beautiful than this. Amazing photography and a very strong performance from Viggo Mortensen. One of the most overlooked masterpieces of the year.
4. Scott Pilgrim vs. The World (Edgar Wright)
The most original and hilarious comedy in ages, featuring a great soundtrack and some wonderful editing. We’ve never seen anything like this before.
5. The American (Anton Corbijn)
The best looking picture of the year and a terrific turn from George Clooney. This will make Corbijn the most desireable director for every actor in Hollywood.
Top three runners up: The Messenger – Youth In Revolt – Cemetery Junction
Essential listening in 2010:
1. The National – High Violet
Their fifth album just might turn out to be the cornerstone of their work. No contest. The best album of the year.
2. Arcade Fire – The Suburbs
After their run as indie darlings these Canadians are finally ready to become the biggest band in the world. The Suburbs is the album U2 has been trying to make for 20 years.
3. Tired Pony – The Place We Ran From
Proof that a so called “super group” actually might work sometimes. A terrific collection of pop music with a sentimental heart.
4. Vampire Weekend – Contra
Picks up where their brilliant debut left off and just keeps going! A sensational mix of every musical emotion there is.
5. The Gaslight Anthem – American Slang
Bigger and stronger than their first two, and out to send the most important message of all: rock is a positive!
Top three runners up: Surfer Blood, Astro Coast – Isobel Campbell & Mark Lanegan, Hawk – The Hold Steady, Heaven Is Whenever
Let's have it, 2011.
Monday, December 20, 2010
Beckham
This weekend David Beckham was honored at the annual BBC Sports Personality of The Year ceremony with a Lifetime Achievement Award. Previous winners include George Best, Bobby Charlton and Pelè to name a few, and despite Beckhams young age it is a well deserved accolade. From 1992 to 2003 he made 397 appearances for Manchester United, scoring 86 goals. He is one of only four to have passed 100 caps for England's national team and is very close to becoming the player who has represented his country more than any other.
To watch the presentation and Beckham's moving acceptance speech, head over to BBC's official website http://news.bbc.co.uk/sport2/hi/tv_and_radio/sports_personality_of_the_year/9303339.stm
And to those of you who think Beckham is the Armani model who used to play for Real Madrid...
Wrong.
There's only one David Beckham.
To watch the presentation and Beckham's moving acceptance speech, head over to BBC's official website http://news.bbc.co.uk/sport2/hi/tv_and_radio/sports_personality_of_the_year/9303339.stm
And to those of you who think Beckham is the Armani model who used to play for Real Madrid...
Wrong.
There's only one David Beckham.
Wednesday, December 15, 2010
Great Trailer # 2
A new film from director Alejandro Iñárritu is always an exciting thing and next year will see the release of his new feature Biutiful. Gritty, poetic, violent and tender, and with a towering performance from Javier Bardem. It is one of 2011's most anticipated films and judging by its new trailer, it could turn out to be something really special.
Sunday, December 12, 2010
"Benjamin"
the warmth of this small cell
a tired heart longing for rest
another glass of poison with ice
whatever you feed me i’m bound to throw up
is there any peace at the end of this day
driving around looking for a light still on
make these old words sound new
you need more than what i’ve got
no cause for alarm says the broken hero
can you see past the dark part of a soul
there is no substitute for this
while i was drinking you grew up
this time it will be different
weak coffee and dried out biscuits
a torn nametag reads “ben” for short
can you learn something from saving me
a tired heart longing for rest
another glass of poison with ice
whatever you feed me i’m bound to throw up
is there any peace at the end of this day
driving around looking for a light still on
make these old words sound new
you need more than what i’ve got
no cause for alarm says the broken hero
can you see past the dark part of a soul
there is no substitute for this
while i was drinking you grew up
this time it will be different
weak coffee and dried out biscuits
a torn nametag reads “ben” for short
can you learn something from saving me
Wednesday, December 8, 2010
Bloodbuzz in England
Music:
The National - "Bloodbuzz Ohio" (Live at The Current)
High Violet (Expanded Edition)
4AD Records
Friday, December 3, 2010
November in Hyde Park
I was in London earlier this week, and one morning went for a walk through Hyde Park. It was quite early and on a weekday, so there were not many people around. Mainly my company was the ducks and seagulls, and the occasional squirrel running around hoping to find a crumble of bread left by the tourists the day before, and so far overlooked by their winged colleagues. The weather had been rather harsh the past few days and this morning was no different. With temperatures just below zero and with a cold wind blowing from almost every direction, it was certainly a chilling experience. There were clouds in the sky but every once in a while the sun would fight its way through and supply the park with some most welcome rays of light. The air was crisp and the frozen roads and grass, while awaiting the first flakes of snow, laid welcoming and inviting across the entire park. In between warming my fingers on a cup of cappuccino I managed to snap a few pictures of this wonderful place.
"boardwalk"
"the trees by the crossroad"
"a quiet walk"
"a forgotten friend"
"boardwalk"
"the trees by the crossroad"
"a quiet walk"
"a forgotten friend"
Tuesday, November 30, 2010
Essential November '10
Essential viewing this November:
- The Social Network is the new film from David Fincher and it is a comforting return to form after the mildly disappointing The Curious Case of Benjamin Button (2008). Based on the acclaimed book The Accidental Billionaires by Ben Mezrich and with a script penned by West Wing creator Aaron Sorkin, there is certainly enough talent on display here to get you interested. The film looks great and the solid performances make this a compelling viewing. There is a feeling of uncertainty that creates an almost claustrophobic atmosphere which makes even the most dialogue driven parts very exciting. Fronted by a phenomenal turn from lead actor Jesse Eisenberg, this is one of the best character dramas of the year.
- Will Ferrell and director Adam McKay have created some of the past decades finest comedies, with 2004’s Anchorman as the standout. This month they are back together again with The Other Guys, with Ferrell playing a desk riding police officer alongside Mark Wahlberg. Wahlberg struggles to keep up sometimes, but the two make for a surprisingly fine comic duo. The comedy works far better than the action, and the use of Steve Coogan as the villain is hardly the best casting of the year, but all together this is an enjoyable flick with some genuinely hilarious bits.
- When actor Joaquin Phoenix announced in 2008 that he was retiring from the business, people immediately thought it was a joke. Two years later, the film I’m Still Here arrives, and just a few weeks after its release, director Casey Affleck admitted that it was in fact just that. Which is a shame because the film would definitely have benefitted from having its audience in the dark throughout. Regardless, it is still a fascinating experiment and fake or not, Phoenix does pull out one of the best performances of his career. The quality of his various encounters vary a little too much, and Affleck should have realized that the best parts are often when Phoenix is left alone and that it is then we get the closest to him. It is a superb performance and a courageous exploration of celebrity that maybe suffers a little bit from its own making.
Essential listening this November:
- Håkan Hellström has firmly established himself as Sweden’s top provider of pop music over the past ten years. With his new album 2 Steg Från Paradise he should ensure that his position is not under any threat. There is plenty of both rock and powerpop and Hellströms voice still sounds strong and fresh. While tipping his hat to the likes of Springsteen and Morrissey he belts out tunes with confidence and high energy. A terrific pop record.
- The debut album from Scottish trio Sparrow and the Workshop has actually been out for some months, but it was not until I caught them live a few weeks ago that I really got a sense of them. The album Crystals Fall is a strong first outing and the band sounds tight and alive from the very beginning. They’re hard to place in genre, but the album has strong elements of folk and pop while there are also quite a few rocky tracks. Think Florence and The Machine meets The White Stripes. In a good way.
- I’ve made my love and admiration for Bruce Springsteen known before on this site so it probably won’t come as a surprise that the release of his Darkness on the Edge of Town box set finds its way into this month’s column. Alongside a re-mastered edition of his 1978 record there is also The Promise, a two disc album featuring songs that didn’t make the final cut. A three year legal ban from releasing new music due to a conflict with his former manager gave Springsteen plenty of time to record and the result was about seventy new tracks. Needless to say, there is plenty of quality and it should be interesting for more than just the average fan. A rock solid release and a reminder that they just don’t make ‘em like this anymore.
The single Save My Love has a nice video which shows you The Boss both now and back in the seventies, recording what would become in my opinion his finest and most complete album.
- The Social Network is the new film from David Fincher and it is a comforting return to form after the mildly disappointing The Curious Case of Benjamin Button (2008). Based on the acclaimed book The Accidental Billionaires by Ben Mezrich and with a script penned by West Wing creator Aaron Sorkin, there is certainly enough talent on display here to get you interested. The film looks great and the solid performances make this a compelling viewing. There is a feeling of uncertainty that creates an almost claustrophobic atmosphere which makes even the most dialogue driven parts very exciting. Fronted by a phenomenal turn from lead actor Jesse Eisenberg, this is one of the best character dramas of the year.
- Will Ferrell and director Adam McKay have created some of the past decades finest comedies, with 2004’s Anchorman as the standout. This month they are back together again with The Other Guys, with Ferrell playing a desk riding police officer alongside Mark Wahlberg. Wahlberg struggles to keep up sometimes, but the two make for a surprisingly fine comic duo. The comedy works far better than the action, and the use of Steve Coogan as the villain is hardly the best casting of the year, but all together this is an enjoyable flick with some genuinely hilarious bits.
- When actor Joaquin Phoenix announced in 2008 that he was retiring from the business, people immediately thought it was a joke. Two years later, the film I’m Still Here arrives, and just a few weeks after its release, director Casey Affleck admitted that it was in fact just that. Which is a shame because the film would definitely have benefitted from having its audience in the dark throughout. Regardless, it is still a fascinating experiment and fake or not, Phoenix does pull out one of the best performances of his career. The quality of his various encounters vary a little too much, and Affleck should have realized that the best parts are often when Phoenix is left alone and that it is then we get the closest to him. It is a superb performance and a courageous exploration of celebrity that maybe suffers a little bit from its own making.
Essential listening this November:
- Håkan Hellström has firmly established himself as Sweden’s top provider of pop music over the past ten years. With his new album 2 Steg Från Paradise he should ensure that his position is not under any threat. There is plenty of both rock and powerpop and Hellströms voice still sounds strong and fresh. While tipping his hat to the likes of Springsteen and Morrissey he belts out tunes with confidence and high energy. A terrific pop record.
- The debut album from Scottish trio Sparrow and the Workshop has actually been out for some months, but it was not until I caught them live a few weeks ago that I really got a sense of them. The album Crystals Fall is a strong first outing and the band sounds tight and alive from the very beginning. They’re hard to place in genre, but the album has strong elements of folk and pop while there are also quite a few rocky tracks. Think Florence and The Machine meets The White Stripes. In a good way.
- I’ve made my love and admiration for Bruce Springsteen known before on this site so it probably won’t come as a surprise that the release of his Darkness on the Edge of Town box set finds its way into this month’s column. Alongside a re-mastered edition of his 1978 record there is also The Promise, a two disc album featuring songs that didn’t make the final cut. A three year legal ban from releasing new music due to a conflict with his former manager gave Springsteen plenty of time to record and the result was about seventy new tracks. Needless to say, there is plenty of quality and it should be interesting for more than just the average fan. A rock solid release and a reminder that they just don’t make ‘em like this anymore.
The single Save My Love has a nice video which shows you The Boss both now and back in the seventies, recording what would become in my opinion his finest and most complete album.
Thursday, November 18, 2010
Band Photo
This coming weekend a newly formed band from Tromsø, The Northern Lies, are playing their first official concert.
Since they're just starting out, they asked me to take some photographs of them for press releases earlier this week, and I'm happy to say that there is a full page article in todays edition of the newspaper Nordlys featuring one of my shots.
This is my first photograph to be officially published and you can read the article online here: http://www.nordlys.no/kultur/article5385855.ece
The Northern Lies are Håvard Stangnes, Henry Johnsen and Anne Nymo Trulssen, and they are performing at Countryfest 2010 at Blå Rock Cafè this friday November 19th.
Since they're just starting out, they asked me to take some photographs of them for press releases earlier this week, and I'm happy to say that there is a full page article in todays edition of the newspaper Nordlys featuring one of my shots.
This is my first photograph to be officially published and you can read the article online here: http://www.nordlys.no/kultur/article5385855.ece
The Northern Lies are Håvard Stangnes, Henry Johnsen and Anne Nymo Trulssen, and they are performing at Countryfest 2010 at Blå Rock Cafè this friday November 19th.
Tuesday, November 9, 2010
Downtown Blues
A couple of weeks ago my friends in The Considerate Lovers, a terrific rock band from Tromsø, played a gig at the glorious Bastard Bar. I tagged along for the rigging and soundcheck and as an experiment tried out my new camera. It's a Nikon D5000 (not a film camera) and I've put it together to this nice little video. It shows what goes on before the doors open, the work of putting all the equipment up and making it sound right.
The song featured in the video is "Downtown Blues", taken from the bands forthcoming album "Young & True" which is due out early next year.
The song featured in the video is "Downtown Blues", taken from the bands forthcoming album "Young & True" which is due out early next year.
Monday, November 8, 2010
Tuesday, November 2, 2010
Commercial
Could this be the television commercial of the year?
Original. Moving. Relevant. Funny.
Simply superb.
Original. Moving. Relevant. Funny.
Simply superb.
Sunday, October 31, 2010
Essential October '10
Essential viewing this October:
- Scott Pilgrim vs. The World has been mentioned before on this site and it turns out for good reason. Finally released on these shores this month, and it is truly something unlike anything you’ve seen before. Brit director Edgar Wright has been given a sizeable budget and has worked hard to put as much of it as possible up on screen. This is a comedy spectacle that despite some skepticism stateside should prove to become a massive cult hit. Based on the graphic novels by Bryan Lee O’Malley it is a perfect fit for the ever so brilliant Michael Cera. Known for his awkward and deadpan style, this is a different role for him. As Scott he is both hopeless and helpless and altogether simply irresistibly funny as he struggles to seduce the girl of his dreams while occasionally having to throw a punch or two. The supporting cast is also terrific with standouts from Kieran Culkin, stealing every scene he’s in, and newcomer Ellen Wong, charming her way to what will surely be bigger roles in the future. It’s fast, intense and delightfully original. And as we enter November this is destined to be one of the finest comedies of the year.
- Leaves of Grass is an independent American feature from actor and director Tim Blake Nelson and features not only one, but two great performances from Edward Norton as he plays both sides of twins Bill and Brady Kincaid. The film was given a limited US release which is a shame because this is an interesting and enjoyable comedy. Its change in tone and genre along the way may be surprising, but Nelson makes it work and by the end it has become a moving film well worth remembering. It struggles a bit to keep its rhythm through the final act, but with a terrific central performance from Norton and a script filled with fun scenes and sharp lines, this effort would have deserved to find a larger audience.
- On television this month we find An Idiot Abroad on British Sky1, a different travel show from Ricky Gervais and Stephen Merchant. I’ve sung their praise before and this experiment is both entertaining and well made. The idea is to send their mate Karl Pilkington, known from their podcasts and the occasional sketch on one of Gervais’ stand up DVD’s, around the world to see the Seven Wonders of the World. Needless to say, it will not be your average Sunday night travel special. Pilkington’s views have been the subject of many laugh-a-minute podcasts and interviews and when facing the magnificent destinations of his travels the hilarities are never far apart. If the early complaints and frustrations of the explorer do not amuse you, you will struggle to find any value in this series, but for the rest of us, this is a refreshing take on the whole idea of travel as television entertainment.
Essential listening this October:
- American singer/songwriter Joshua Radin impressed me with his first two albums and even though his third outing The Rock and The Tide might not be as strong, it is still a well made and well written record. There are many out that there that fit this genre, but Radin to me still appears to have more on offer than the majority of his colleagues. The songs are not amazingly original but Radins approach to his music just seems more honest and simple. The voice, accompaniment and lyrics all suit each other very well and the resulting songs are very easy on the ear. This does not make the music forgettable but makes you appreciate it even more. This is a decent third album but there is a feeling that Radin may have to come up with something more next time around.
- Swanlights is the new album by Antony & The Johnsons and even though I’ve at times struggle to really enjoy their previous work, this album struck me as a very sober and poetic record. Singer Antony Hegarty without a doubt possesses one of the most sore and remarkable voices in music and this comes out perhaps even more on this fourth album than the previous ones. It is both simple and stripped but never less artful or ambitious. The collection of tracks here may be more various than usual, but the quality of the album is very strong.
- The Airborne Toxic Event delivered one of last year’s finest debuts and before releasing the sequel they have produced a live album, recorded at the massive Walt Disney Concert Hall in Los Angeles. All I Ever Wanted naturally focuses on the songs of their self titled first album but there is also some new material and the occasional cover song. The performance is superb and to get the full experience you might wanna check out the DVD as well. The band has a terrific acoustic rock sound and also combines an indie pop feel, surrounded by a very strong vocal. Backed by The Calder Quartet, a tremendous orchestra, this is a great live album that does more than whet the appetite for that much wanted second studio album.
Here is a performance from the show which gives you an idea of the playful style of the band, as well as their ability to write great pop songs. This is one of the finest tracks of their debut album.
- Scott Pilgrim vs. The World has been mentioned before on this site and it turns out for good reason. Finally released on these shores this month, and it is truly something unlike anything you’ve seen before. Brit director Edgar Wright has been given a sizeable budget and has worked hard to put as much of it as possible up on screen. This is a comedy spectacle that despite some skepticism stateside should prove to become a massive cult hit. Based on the graphic novels by Bryan Lee O’Malley it is a perfect fit for the ever so brilliant Michael Cera. Known for his awkward and deadpan style, this is a different role for him. As Scott he is both hopeless and helpless and altogether simply irresistibly funny as he struggles to seduce the girl of his dreams while occasionally having to throw a punch or two. The supporting cast is also terrific with standouts from Kieran Culkin, stealing every scene he’s in, and newcomer Ellen Wong, charming her way to what will surely be bigger roles in the future. It’s fast, intense and delightfully original. And as we enter November this is destined to be one of the finest comedies of the year.
- Leaves of Grass is an independent American feature from actor and director Tim Blake Nelson and features not only one, but two great performances from Edward Norton as he plays both sides of twins Bill and Brady Kincaid. The film was given a limited US release which is a shame because this is an interesting and enjoyable comedy. Its change in tone and genre along the way may be surprising, but Nelson makes it work and by the end it has become a moving film well worth remembering. It struggles a bit to keep its rhythm through the final act, but with a terrific central performance from Norton and a script filled with fun scenes and sharp lines, this effort would have deserved to find a larger audience.
- On television this month we find An Idiot Abroad on British Sky1, a different travel show from Ricky Gervais and Stephen Merchant. I’ve sung their praise before and this experiment is both entertaining and well made. The idea is to send their mate Karl Pilkington, known from their podcasts and the occasional sketch on one of Gervais’ stand up DVD’s, around the world to see the Seven Wonders of the World. Needless to say, it will not be your average Sunday night travel special. Pilkington’s views have been the subject of many laugh-a-minute podcasts and interviews and when facing the magnificent destinations of his travels the hilarities are never far apart. If the early complaints and frustrations of the explorer do not amuse you, you will struggle to find any value in this series, but for the rest of us, this is a refreshing take on the whole idea of travel as television entertainment.
Essential listening this October:
- American singer/songwriter Joshua Radin impressed me with his first two albums and even though his third outing The Rock and The Tide might not be as strong, it is still a well made and well written record. There are many out that there that fit this genre, but Radin to me still appears to have more on offer than the majority of his colleagues. The songs are not amazingly original but Radins approach to his music just seems more honest and simple. The voice, accompaniment and lyrics all suit each other very well and the resulting songs are very easy on the ear. This does not make the music forgettable but makes you appreciate it even more. This is a decent third album but there is a feeling that Radin may have to come up with something more next time around.
- Swanlights is the new album by Antony & The Johnsons and even though I’ve at times struggle to really enjoy their previous work, this album struck me as a very sober and poetic record. Singer Antony Hegarty without a doubt possesses one of the most sore and remarkable voices in music and this comes out perhaps even more on this fourth album than the previous ones. It is both simple and stripped but never less artful or ambitious. The collection of tracks here may be more various than usual, but the quality of the album is very strong.
- The Airborne Toxic Event delivered one of last year’s finest debuts and before releasing the sequel they have produced a live album, recorded at the massive Walt Disney Concert Hall in Los Angeles. All I Ever Wanted naturally focuses on the songs of their self titled first album but there is also some new material and the occasional cover song. The performance is superb and to get the full experience you might wanna check out the DVD as well. The band has a terrific acoustic rock sound and also combines an indie pop feel, surrounded by a very strong vocal. Backed by The Calder Quartet, a tremendous orchestra, this is a great live album that does more than whet the appetite for that much wanted second studio album.
Here is a performance from the show which gives you an idea of the playful style of the band, as well as their ability to write great pop songs. This is one of the finest tracks of their debut album.
Tuesday, October 19, 2010
Monday, October 18, 2010
"In Between"
confront this silence with well spoken words
heavy footsteps on cold wet leaves
this shot up house is out of room
it all comes out when night falls
this mountain side does not have a sign
words that sound raw are still valid
two steps back but still closer to home
desire always runs in circles
with these skies who needs sunlight
a fool’s defense lies in the gutter
it sounds fake but tastes like the real thing
the blessing got lost somewhere in between
heavy footsteps on cold wet leaves
this shot up house is out of room
it all comes out when night falls
this mountain side does not have a sign
words that sound raw are still valid
two steps back but still closer to home
desire always runs in circles
with these skies who needs sunlight
a fool’s defense lies in the gutter
it sounds fake but tastes like the real thing
the blessing got lost somewhere in between
Friday, October 8, 2010
Great Trailer
One of the most anticipated films of next year is 127 Hours, the new flick by Danny Boyle. A teaser for the film has been around for a few weeks now, but yesterday the first proper trailer for the film arrived. And boy is it terrific. If this sort of trailer doesn't make you wanna go to the movies, I'm afraid nothing ever will.
The best bits: that killer shot falling into the water about a minute in, the little kid when he mouths "wow". Oh, and that Band of Horses song.
January 2011 can't get here soon enough!
The best bits: that killer shot falling into the water about a minute in, the little kid when he mouths "wow". Oh, and that Band of Horses song.
January 2011 can't get here soon enough!
Thursday, September 30, 2010
Essential September '10
Essential viewing this September:
- One of the most controversial films of the year so far has been Michael Winterbottom’s The Killer Inside Me. Based on the novel by Jim Thompson and featuring a stirring performance from Casey Affleck, this deserves attention for far more than the few strikes of controversy. Underneath the brutal violence, and to be fair, it is some of the hardest viewing you’ll ever undergo, this is one of the strongest character pieces of the year. Affleck is not only convincing, but through a disturbing presence in every scene and with a voice that is slowly becoming his trademark, he delivers what is surely his best performance to date. It will be interesting to see if nomination comities will be able to see across the brutal subject matter and give him the nods he certainly deserves come award season. The supporting cast is very good too, with surprisingly solid turns from the likes of Jessica Alba and Kate Hudson, miles away from the familiar romantic comedy territories they usually frequent. This is challenging, thought provoking and, if you can handle it, ultimately rewarding viewing.
- The highly anticipated new film from Anton Corbijn, the dutch photographer gone film director, is called The American and is one of this month’s finest treats. Starring George Clooney (surely the biggest movie star on the planet by now) in an unusual part, he spends most of the time walking the quiet streets of small town Italy and you could fit all of his dialogue on a couple of pages, but it is a fascinating performance and a more nuanced character than we’ve seen him do lately. The style is revealing to Corbijn’s love for the visual, and the Italian landscapes are given the star treatment just as much as the close-ups of his leading man. It moves slowly, sure, but the sober and discreet script suits its director perfectly and as it builds towards a noisier climax it is a joy to simply sit back and take it all in. An intelligent thriller, beautifully photographed, which would not have been possible to create on a Hollywood studio back lot. Should ensure that Anton won’t need to make another music video for a while.
- Television saw the premiere of one of HBO’s biggest shows ever this month. Boardwalk Empire is created by Terence Winter, last seen as executive producer and writer on The Sopranos and it is a big leap from the suburbs of New Jersey to the glorious promenade of 1920’s Atlantic City. When alcohol was outlawed the powerful men of high society made it their business to become rich of providing the people with their need for whiskey and gin. Centered around and tailored for Steve Buscemi, the indie actor/filmmaker who has been worthy of his own show for ages now, it looks tremendous and manages to be both intelligent and entertaining. Only two episodes in, the creators may have trouble continuing the established quality and flow from pilot director Martin Scorsese, but there is enough talent on both sides of the camera here to make sure this becomes one of this seasons finest TV shows.
Essential listening this September:
- With such a vital front man as Brandon Flowers it was only a matter of time before The Killer’s vocalist was given his shot at a solo album. And a fine pop album it has become indeed. This is not experimental or “the other side of Flowers”, as most of the songs are broken in similar moulds as the tracks from his band’s records. But there is plenty of quality and if not as strong, Flowers is certainly strong enough to carry an album on his own. Flamingo is a romantic and cheerful effort that serves best in its catchy pop tunes and loses some of its power when Flowers attempts to be equally epic on his own as he is used to be when backed by his band.
- A collaboration between John Legend & The Roots is enough to get any music lover curious, regardless of your preference in genre. And the album Wake Up! is a wonderful discovery this month. A great mix of R&B, gospel and hip hop with a deep, and sometimes religious core. Also, the lyrics are some of the finest I’ve heard on this type of album. But mainly, this is an extremely well put together record that is both funky and engaging.
- One of the finest artists working today is Nick Cave, and he has been for decades now. So a release from the dangerous Australian is always an exciting event. This time it is with his likeminded colleagues in Grinderman, who return with their second outing, simply titled Grinderman 2. Wheter it is with his beloved The Bad Seeds or these gentlemen, Cave always seems to enjoy himself the most when in company with a band. As you would expect, this is certainly dark and gritty, but in a manner that comes across as playful and enthusiastic. With a modest nine track album, Grinderman insist on making the most out of every song, so this is a wide and fully loaded record filled with sound and arrangements all across the board. Explosive, powerful, and honestly brilliant fun.
Several future classics, including this one, a personal favorite on the album.
- One of the most controversial films of the year so far has been Michael Winterbottom’s The Killer Inside Me. Based on the novel by Jim Thompson and featuring a stirring performance from Casey Affleck, this deserves attention for far more than the few strikes of controversy. Underneath the brutal violence, and to be fair, it is some of the hardest viewing you’ll ever undergo, this is one of the strongest character pieces of the year. Affleck is not only convincing, but through a disturbing presence in every scene and with a voice that is slowly becoming his trademark, he delivers what is surely his best performance to date. It will be interesting to see if nomination comities will be able to see across the brutal subject matter and give him the nods he certainly deserves come award season. The supporting cast is very good too, with surprisingly solid turns from the likes of Jessica Alba and Kate Hudson, miles away from the familiar romantic comedy territories they usually frequent. This is challenging, thought provoking and, if you can handle it, ultimately rewarding viewing.
- The highly anticipated new film from Anton Corbijn, the dutch photographer gone film director, is called The American and is one of this month’s finest treats. Starring George Clooney (surely the biggest movie star on the planet by now) in an unusual part, he spends most of the time walking the quiet streets of small town Italy and you could fit all of his dialogue on a couple of pages, but it is a fascinating performance and a more nuanced character than we’ve seen him do lately. The style is revealing to Corbijn’s love for the visual, and the Italian landscapes are given the star treatment just as much as the close-ups of his leading man. It moves slowly, sure, but the sober and discreet script suits its director perfectly and as it builds towards a noisier climax it is a joy to simply sit back and take it all in. An intelligent thriller, beautifully photographed, which would not have been possible to create on a Hollywood studio back lot. Should ensure that Anton won’t need to make another music video for a while.
- Television saw the premiere of one of HBO’s biggest shows ever this month. Boardwalk Empire is created by Terence Winter, last seen as executive producer and writer on The Sopranos and it is a big leap from the suburbs of New Jersey to the glorious promenade of 1920’s Atlantic City. When alcohol was outlawed the powerful men of high society made it their business to become rich of providing the people with their need for whiskey and gin. Centered around and tailored for Steve Buscemi, the indie actor/filmmaker who has been worthy of his own show for ages now, it looks tremendous and manages to be both intelligent and entertaining. Only two episodes in, the creators may have trouble continuing the established quality and flow from pilot director Martin Scorsese, but there is enough talent on both sides of the camera here to make sure this becomes one of this seasons finest TV shows.
Essential listening this September:
- With such a vital front man as Brandon Flowers it was only a matter of time before The Killer’s vocalist was given his shot at a solo album. And a fine pop album it has become indeed. This is not experimental or “the other side of Flowers”, as most of the songs are broken in similar moulds as the tracks from his band’s records. But there is plenty of quality and if not as strong, Flowers is certainly strong enough to carry an album on his own. Flamingo is a romantic and cheerful effort that serves best in its catchy pop tunes and loses some of its power when Flowers attempts to be equally epic on his own as he is used to be when backed by his band.
- A collaboration between John Legend & The Roots is enough to get any music lover curious, regardless of your preference in genre. And the album Wake Up! is a wonderful discovery this month. A great mix of R&B, gospel and hip hop with a deep, and sometimes religious core. Also, the lyrics are some of the finest I’ve heard on this type of album. But mainly, this is an extremely well put together record that is both funky and engaging.
- One of the finest artists working today is Nick Cave, and he has been for decades now. So a release from the dangerous Australian is always an exciting event. This time it is with his likeminded colleagues in Grinderman, who return with their second outing, simply titled Grinderman 2. Wheter it is with his beloved The Bad Seeds or these gentlemen, Cave always seems to enjoy himself the most when in company with a band. As you would expect, this is certainly dark and gritty, but in a manner that comes across as playful and enthusiastic. With a modest nine track album, Grinderman insist on making the most out of every song, so this is a wide and fully loaded record filled with sound and arrangements all across the board. Explosive, powerful, and honestly brilliant fun.
Several future classics, including this one, a personal favorite on the album.
Monday, September 27, 2010
Thursday, September 16, 2010
"Rosie"
rosie still can't sleep at night
with too many shadows inside her room
scared to die where she was born
she won't take no more regret
rosie knows the feel of a bruise
and the pearls 'round her neck don't look right
a tattoo across her heart says "debt"
she should have stayed at home tonight
rosie wishes she had a yard
her quiet creek is your wildest river
if alone on the wire, she's scared to look
she wonders can i cry in my sleep
rosie brushes her hair and smiles
a broken heart ain't hard to find
with too many shadows inside her room
scared to die where she was born
she won't take no more regret
rosie knows the feel of a bruise
and the pearls 'round her neck don't look right
a tattoo across her heart says "debt"
she should have stayed at home tonight
rosie wishes she had a yard
her quiet creek is your wildest river
if alone on the wire, she's scared to look
she wonders can i cry in my sleep
rosie brushes her hair and smiles
a broken heart ain't hard to find
Sunday, September 5, 2010
Tuesday, August 31, 2010
Essential August '10
Essential viewing this August:
- The first feature film from Ricky Gervais & Stephen Merchant was bound to raise high expectations in fans of great comedy. After creating two of televisions best shows in the past decade (The Office and Extras) it is an interesting move to the big screen for the brilliant duo. And Cemetery Junction is not exactly what we expected, but that only serves to impress us even more. Set in 1970's gritty small town England, it comes with more drama than laughs (even though there's plenty) and there is never any doubt that this films heart is more important than its funny bone. A young cast filled with unknown but terrific young Brits and strong support from the likes of Ralph Fiennes and Emily Watson. The film is genuinely moving and it is refreshing to see something that is usually a well known American formula work so well in the hands of Gervais & Merchant. After the heartbreakingly disappointing The Invention of Lying (2009) which Gervais wrote and directed alongside American Matthew Robinson, it is comforting to find him back together with his original partner. And the vast difference in quality should be enough to ensure Ricky does not stray too far away from Steve anytime soon.
- After blasting onto the stage of American independent films in the 90's, it has now been nearly ten years since Albert and Allen Hughes last presented a feature. This month sees the release of The Book of Eli, a strong comeback after the poorly received From Hell (2001). Proving they are not afraid to "go epic" the film looks beautiful, and creative photography helps to serve the state of helplessness and tragedy of the story. Walking in front of camera is Denzel Washington, strong as always but the character's good heart and cool-as-ice persona is becoming a bit too familiar when it comes to this particular actor. Thankfully we have Gary Oldman, who seems happy to do a film every other year now, in terrific form for support. His villainous Carnegie might also feel a bit like familiar territory, but one we're not treated to nearly enough these days so it is endlessly satisfying to take him all in. You'll need a bit of patience through the middle part, but the ending is worth the wait and it turns out to be a welcome return from The Hughes Brothers.
- Louis C.K. has grown to become one of the most recognizable American comedians over the last few years, so it was to expect that he would get his own show soon enough. Simply titled Louie each episode contains enough laughs to keep you tuned in, but the man becomes a little too self centered sometimes (which is to expect I suppose since he writes, directs and even edits every episode himself). Like his stand-up this is rough and filthy and filled with improv and features some hilarious guest apperances. It will be an aquired taste and the star might have benefitted from sharing some production duties in change for a bit more rehearsal in front of camera.
Essential listening this August:
- Surfer Blood, a band of youngsters from Florida actually released their debut album Astro Coast quite a few months ago but completely escaped my finely tuned radar. It was not until seeing them live earlier this month that their brilliance hit me. Not only is this a seriously strong first album but the sound that originally might be heard as a tribute to 90's underground and grunge actually comes across as something completely different. There is plenty of surf guitar, hard drum beats and a terrific vocal. And knowing that they are comfortably solid live there is no doubt that there should be plenty more quality in future releases as well. One of the years finest surprises.
- The third collaboration between singers Isobel Campbell and Mark Lanegan is entitled Hawk and it could not arrive at a more perfect time. With summer closing its doors and the dark and cold of autumn already here it becomes the perfect soundtrack for the months to come. The voice quality from both parties is no longer news, but with every record they seem to become more and more integrated in each other and this album just might be their finest one yet. Lovely pop songs in company of dark blues and soft country makes this a beautiful album that is bound to have an impact on any blessed listener.
- While some bands find it necessary to work on new material for decades, others seem to need a new album out every year. Arcade Fire appear to have found a natural rhythm with this months release of their third album The Suburbs, three years since Neon Bible and another six since their brilliant debut Funeral. This one is by far their most ambitious yet, containing sixteen tracks and jumping back and forth between both mood, genre and sound. But the result is always original and fresh and though it might require more than one session, as an album, this is starting to stand out as the groups finest work to date. Every song is filled with raw emotion, well written lyrics and an orchestra tight as hell. It is rare for one album to have three or four contenders for song of the year, but The Suburbs does.
Like this one. Turn it up and thank me later!
- The first feature film from Ricky Gervais & Stephen Merchant was bound to raise high expectations in fans of great comedy. After creating two of televisions best shows in the past decade (The Office and Extras) it is an interesting move to the big screen for the brilliant duo. And Cemetery Junction is not exactly what we expected, but that only serves to impress us even more. Set in 1970's gritty small town England, it comes with more drama than laughs (even though there's plenty) and there is never any doubt that this films heart is more important than its funny bone. A young cast filled with unknown but terrific young Brits and strong support from the likes of Ralph Fiennes and Emily Watson. The film is genuinely moving and it is refreshing to see something that is usually a well known American formula work so well in the hands of Gervais & Merchant. After the heartbreakingly disappointing The Invention of Lying (2009) which Gervais wrote and directed alongside American Matthew Robinson, it is comforting to find him back together with his original partner. And the vast difference in quality should be enough to ensure Ricky does not stray too far away from Steve anytime soon.
- After blasting onto the stage of American independent films in the 90's, it has now been nearly ten years since Albert and Allen Hughes last presented a feature. This month sees the release of The Book of Eli, a strong comeback after the poorly received From Hell (2001). Proving they are not afraid to "go epic" the film looks beautiful, and creative photography helps to serve the state of helplessness and tragedy of the story. Walking in front of camera is Denzel Washington, strong as always but the character's good heart and cool-as-ice persona is becoming a bit too familiar when it comes to this particular actor. Thankfully we have Gary Oldman, who seems happy to do a film every other year now, in terrific form for support. His villainous Carnegie might also feel a bit like familiar territory, but one we're not treated to nearly enough these days so it is endlessly satisfying to take him all in. You'll need a bit of patience through the middle part, but the ending is worth the wait and it turns out to be a welcome return from The Hughes Brothers.
- Louis C.K. has grown to become one of the most recognizable American comedians over the last few years, so it was to expect that he would get his own show soon enough. Simply titled Louie each episode contains enough laughs to keep you tuned in, but the man becomes a little too self centered sometimes (which is to expect I suppose since he writes, directs and even edits every episode himself). Like his stand-up this is rough and filthy and filled with improv and features some hilarious guest apperances. It will be an aquired taste and the star might have benefitted from sharing some production duties in change for a bit more rehearsal in front of camera.
Essential listening this August:
- Surfer Blood, a band of youngsters from Florida actually released their debut album Astro Coast quite a few months ago but completely escaped my finely tuned radar. It was not until seeing them live earlier this month that their brilliance hit me. Not only is this a seriously strong first album but the sound that originally might be heard as a tribute to 90's underground and grunge actually comes across as something completely different. There is plenty of surf guitar, hard drum beats and a terrific vocal. And knowing that they are comfortably solid live there is no doubt that there should be plenty more quality in future releases as well. One of the years finest surprises.
- The third collaboration between singers Isobel Campbell and Mark Lanegan is entitled Hawk and it could not arrive at a more perfect time. With summer closing its doors and the dark and cold of autumn already here it becomes the perfect soundtrack for the months to come. The voice quality from both parties is no longer news, but with every record they seem to become more and more integrated in each other and this album just might be their finest one yet. Lovely pop songs in company of dark blues and soft country makes this a beautiful album that is bound to have an impact on any blessed listener.
- While some bands find it necessary to work on new material for decades, others seem to need a new album out every year. Arcade Fire appear to have found a natural rhythm with this months release of their third album The Suburbs, three years since Neon Bible and another six since their brilliant debut Funeral. This one is by far their most ambitious yet, containing sixteen tracks and jumping back and forth between both mood, genre and sound. But the result is always original and fresh and though it might require more than one session, as an album, this is starting to stand out as the groups finest work to date. Every song is filled with raw emotion, well written lyrics and an orchestra tight as hell. It is rare for one album to have three or four contenders for song of the year, but The Suburbs does.
Like this one. Turn it up and thank me later!
Monday, August 30, 2010
Big budget
I've always wanted to do a crane shot.
Not necessarily one starring my uncle, but still, it looks pretty cool.
Not necessarily one starring my uncle, but still, it looks pretty cool.
Thursday, August 19, 2010
Tuesday, August 17, 2010
"Sidewalk"
there is danger in your stride
with your mind on your sleeve
dreaming ‘bout new york or was it paris
across the street going nowhere
born into a room full of strangers
you never looked the other way
the lack of color in everything familiar
was there ever a right move in all this
singing along to the radio songs
about creeps who share the same name
this town with lights inside the tunnel
will never see your face again
your lips are moving, you’re giving it away
too young to die, too old to go back
with your mind on your sleeve
dreaming ‘bout new york or was it paris
across the street going nowhere
born into a room full of strangers
you never looked the other way
the lack of color in everything familiar
was there ever a right move in all this
singing along to the radio songs
about creeps who share the same name
this town with lights inside the tunnel
will never see your face again
your lips are moving, you’re giving it away
too young to die, too old to go back
Sunday, August 1, 2010
Saturday, July 31, 2010
Essential July '10
Essential viewing this July:
- One of the most anticipated films of the year arrived this month. Inception is the return of Christopher Nolan after The Dark Knight (2008), his biggest success to date. And even though expectations have been running high all across the board, the film should prove to be another smash hit for the British director. This is one of the best crafted and original films I've seen come out of America in years. Nolan's firm desire for reality and effects in camera combined with some genuinely intelligent screenwriting makes this the best film of the year so far. Similar to his two Batman pictures, the film is driven by effects (completely mind blowing at times), but the drama stands well on its own and in the steady hands of this particular filmmaker you always feel confident there is plenty more where it all came from. A great ensemble make for some thrilling acting pieces as well, and in the middle there is a terrific performance from Leonardo Di Caprio. Well into his thirties now the kid from What's Eating Gilbert Grape (1993) and Titanic (1997) has established himself as a bona fide movie star. Able to bring heart, emotion and physical skill every time he's onscreen, there is no doubt this is one of the finest actors working in Hollywood today. Inception will be hailed by both critics and audiences and with the success that will follow, one can only imagine what sort of spectacle Nolan will invite us to the next time around. No matter what it is, the line starts here.
- Summer is not the best season for television so it is great that a major show like Entourage has decided to kick off its seventh season this month. Rumored to be its final full season it surely is one of the few remaining must-see shows still on. Not as edgy as it used to be, and the writing appears to be running dry when it comes to certain aspects of the show. But this opens up for some welcome attention towards the supporting players of the last few seasons, mainly the terrific Kevin Dillon. The fresh sensation of the rated R comedy that used to be the heart of the show is toned down, but like everything you know that is drawing towards the end, it is not necessarily a bad idea to slow things down. Regardless if this will be the final hours we spend in the company of these guys, there is plenty to enjoy on the way out.
- One flick I was sad to miss in theatres was Kick Ass, the new film from Matthew Vaughn. Based on the comic book by Mark Millar and John Romita jr. this is a wonderful and highly enjoyable piece of entertainment. What appears to be a silly superhero movie for kids is actually a vulgar and violent affair with some great action and superb performances. In particular a break out role for young Chloe Moretz as the politically incorrect Hit Girl. Supported by Nicolas Cage in his wonderfully quirky and playful mood, the always terrific Mark Strong as the villainous D'Amico and Aaron Johnson in the title role, this is a great ensemble. A great return to form for director Vaughn after the disappointing Stardust (2007) and with the sequel already announced (Kick Ass 2: Balls To The Wall!) to arrive in 2012 this could become one of the most funny and unpredictable franchises in years.
Essential listening this July:
- Tired Pony is a new group with members from wonderful bands such as R.E.M., Snow Patrol and Belle & Sebastian that play terrfic pop country music. Their first album The Place We Ran From is filled with both catchy rock tunes and quiet tracks with qualities from all the before mentioned bands. Along the way there is also some support from the lovely She & Him, and after the initial first listen you are bound to want to go deeper and hear more. Hopefully this will be a full blown effort from everyone involved which would able us to catch them live sometime soon.
- A new acquaintance for me is Deer Tick who just released their third album The Black Dirt Sessions. A great mix of blues, country and 70's style rock with a terrific lead singer in John McCauley. The album starts off slow and melancolic but builds in both sound and impressions. Eleven tracks with poetic and emotional lyrics make this a wonderful addition to the soundtrack of this summer and makes you eager to examine their earlier work as well.
- About ten years after Industrial Silence, Madrugada's album debut arrives in a new deluxe edition, remastered and accompanied by a second disc with B-sides, rarities and demos. You could quickly accuse the mighty record companies of seeking more profits from this mega seller, but there is simply too much good stuff here to feel anything but joy. The album itself still holds its ground a decade upon release, but it is the bonus disc that provides plenty of new gold. Some material has been out there on limited singles and EP's but the newfound demos are really something for any music treasure chamber. With more than enough tracks to fill a whole new album one can only imagine how great this would be as a record on its own, but there is quiet beauty in the simple and accoustic versions of every track. It is a solid reminder of just how impressive this band was. And with songs like this one, possibly the finest ballad the band has ever produced, you can only say thank you.
- One of the most anticipated films of the year arrived this month. Inception is the return of Christopher Nolan after The Dark Knight (2008), his biggest success to date. And even though expectations have been running high all across the board, the film should prove to be another smash hit for the British director. This is one of the best crafted and original films I've seen come out of America in years. Nolan's firm desire for reality and effects in camera combined with some genuinely intelligent screenwriting makes this the best film of the year so far. Similar to his two Batman pictures, the film is driven by effects (completely mind blowing at times), but the drama stands well on its own and in the steady hands of this particular filmmaker you always feel confident there is plenty more where it all came from. A great ensemble make for some thrilling acting pieces as well, and in the middle there is a terrific performance from Leonardo Di Caprio. Well into his thirties now the kid from What's Eating Gilbert Grape (1993) and Titanic (1997) has established himself as a bona fide movie star. Able to bring heart, emotion and physical skill every time he's onscreen, there is no doubt this is one of the finest actors working in Hollywood today. Inception will be hailed by both critics and audiences and with the success that will follow, one can only imagine what sort of spectacle Nolan will invite us to the next time around. No matter what it is, the line starts here.
- Summer is not the best season for television so it is great that a major show like Entourage has decided to kick off its seventh season this month. Rumored to be its final full season it surely is one of the few remaining must-see shows still on. Not as edgy as it used to be, and the writing appears to be running dry when it comes to certain aspects of the show. But this opens up for some welcome attention towards the supporting players of the last few seasons, mainly the terrific Kevin Dillon. The fresh sensation of the rated R comedy that used to be the heart of the show is toned down, but like everything you know that is drawing towards the end, it is not necessarily a bad idea to slow things down. Regardless if this will be the final hours we spend in the company of these guys, there is plenty to enjoy on the way out.
- One flick I was sad to miss in theatres was Kick Ass, the new film from Matthew Vaughn. Based on the comic book by Mark Millar and John Romita jr. this is a wonderful and highly enjoyable piece of entertainment. What appears to be a silly superhero movie for kids is actually a vulgar and violent affair with some great action and superb performances. In particular a break out role for young Chloe Moretz as the politically incorrect Hit Girl. Supported by Nicolas Cage in his wonderfully quirky and playful mood, the always terrific Mark Strong as the villainous D'Amico and Aaron Johnson in the title role, this is a great ensemble. A great return to form for director Vaughn after the disappointing Stardust (2007) and with the sequel already announced (Kick Ass 2: Balls To The Wall!) to arrive in 2012 this could become one of the most funny and unpredictable franchises in years.
Essential listening this July:
- Tired Pony is a new group with members from wonderful bands such as R.E.M., Snow Patrol and Belle & Sebastian that play terrfic pop country music. Their first album The Place We Ran From is filled with both catchy rock tunes and quiet tracks with qualities from all the before mentioned bands. Along the way there is also some support from the lovely She & Him, and after the initial first listen you are bound to want to go deeper and hear more. Hopefully this will be a full blown effort from everyone involved which would able us to catch them live sometime soon.
- A new acquaintance for me is Deer Tick who just released their third album The Black Dirt Sessions. A great mix of blues, country and 70's style rock with a terrific lead singer in John McCauley. The album starts off slow and melancolic but builds in both sound and impressions. Eleven tracks with poetic and emotional lyrics make this a wonderful addition to the soundtrack of this summer and makes you eager to examine their earlier work as well.
- About ten years after Industrial Silence, Madrugada's album debut arrives in a new deluxe edition, remastered and accompanied by a second disc with B-sides, rarities and demos. You could quickly accuse the mighty record companies of seeking more profits from this mega seller, but there is simply too much good stuff here to feel anything but joy. The album itself still holds its ground a decade upon release, but it is the bonus disc that provides plenty of new gold. Some material has been out there on limited singles and EP's but the newfound demos are really something for any music treasure chamber. With more than enough tracks to fill a whole new album one can only imagine how great this would be as a record on its own, but there is quiet beauty in the simple and accoustic versions of every track. It is a solid reminder of just how impressive this band was. And with songs like this one, possibly the finest ballad the band has ever produced, you can only say thank you.
Monday, July 12, 2010
Sunday, July 11, 2010
"Riot"
no place like home this time
these streets have no strangers
are these the consequences tonight
is this the storm that never came
this house is ready for me to leave
a mind always wants another riot
the words around here flock like weeds
i'm not too high, not yet
a song unsung in the city
out of breath too far from home
next spring it could all be gone
who will be there when we're out of air
these streets have no strangers
are these the consequences tonight
is this the storm that never came
this house is ready for me to leave
a mind always wants another riot
the words around here flock like weeds
i'm not too high, not yet
a song unsung in the city
out of breath too far from home
next spring it could all be gone
who will be there when we're out of air
Wednesday, July 7, 2010
Sunday, July 4, 2010
Wednesday, June 30, 2010
Essential June '10
Essential viewing this June:
- You'll have to look long and hard before finding a more idiotic title for a film than Hot Tube Time Machine. So already, you know you're probably in for a treat. This outrageous comedy is the directorial debut from Steve Pink, long time writing partner of star John Cusack. Filthy, naughty and everything in between this is a fun ride that comes off both refreshing and comedically honest in this season of billion dollar blockbusters. The title itself is the filmmakers doing you a big favor, if you're willing to accept that you're going in to see a film called Hot Tube Time Machine (I'll admit, I love saying it), you need to leave both your sense of logic and taste at the door. It could easily do with a few cuts here and there, but all in all this is one of the funniest movies of the summer. Sneak in a few beers if you can.
- After enjoying a nice spell of supporting roles over the past few years it is an absolute joy to see Michael Caine back in a leading role. The film is Harry Brown, a brutally realistic story of a small town community being terrorized by juveniles. Caine is Brown, the lone pensioner who after the loss of both his wife and best friend decide enough is enough and takes matters into his own hands. It is a morally chilling story, but Caine brings meaning to every single part of it and it is truly a thrill to see him go head to head with the young thugs. The film does paint everything a little too black and white, but it is still a challenging and thought provoking experience.
- One of the most pleasant surprises in a long time is Everybody's Fine, the third film from British director Kirk Jones. It hasn't done much business stateside but I fear that is because of a poor ad campaign, also the film seemed to be promoted as a comedy when in fact it is more of a family drama. Robert De Niro plays the widower who goes travelling across the country in attempt to reunite with his children, and along the way finds out things are very different inside his own family from what he believed. De Niro is wonderful and plays down his own part so much you could be fooled to think it was lazy, but he has created a strong and familliar character that might just be his best work in years. A great supporting cast featuring Sam Rockwell and Kate Beckinsale makes this one of the best ensemble pieces in a long time and it is a shame it has failed to reach a bigger audience. Thank heavens for DVD.
Essential listening this June:
- New Jersey rock band The Gaslight Anthem return this summer with American Slang, their third studio album. After the success of 2008's The '59 Sound they've got their work cut out for them, but thankfully the result is another great sounding rock & roll album. They still wear their inspirations on their sleeves, but at least their honest about it and it never stops being refreshing to hear a band that is simply out there just to make great rock songs and make you wanna jump around. The lyrics of leading man Brian Fallon are still about girls that got away, fighting your way out of that small town and the thought of one day making it big. That tune might have to change in time for the next album. A great rock record. Can't wait to catch them live in August.
- This next one might just as well have been listed under "viewing" since a Bruce Springsteen concert is just as much about what you see as what you hear. And in his latest concert film London Calling: Live from Hyde Park you get the Boss and his E-Street Band at the top of their game. A three hour rock show that never slows down and moves from a sunny afternoon in London (it's Springsteen's first concert filmed in daylight) and well into the evening of one of Englands biggest music events, the Hard Rock Calling Festival of last year. With a recording career that spans close to forty years now, you get songs from the very beginning all through his most recent album Working On A Dream (2009). Wheter you're a Springsteen fan or just love good music performed by top class musicians, you simply cannot go wrong with this release. And if you still haven't gotten the thrill of seeing this rolling show live, this is a rock solid reminder that should ensure you claim your tickets the next time the man comes around.
- The Drums are a young band from New York who play catchy pop songs with a few hints of 60's nostalgia. Their self titled debut album is filled with great tracks that are both original and refreshing. Terrific lyrics and a strong lead singer in Jonathan Pierce makes The Drums one of the most exciting bands of the year and if their next album manages to impress as much as this one, they will surely be a fun act to follow.
- You'll have to look long and hard before finding a more idiotic title for a film than Hot Tube Time Machine. So already, you know you're probably in for a treat. This outrageous comedy is the directorial debut from Steve Pink, long time writing partner of star John Cusack. Filthy, naughty and everything in between this is a fun ride that comes off both refreshing and comedically honest in this season of billion dollar blockbusters. The title itself is the filmmakers doing you a big favor, if you're willing to accept that you're going in to see a film called Hot Tube Time Machine (I'll admit, I love saying it), you need to leave both your sense of logic and taste at the door. It could easily do with a few cuts here and there, but all in all this is one of the funniest movies of the summer. Sneak in a few beers if you can.
- After enjoying a nice spell of supporting roles over the past few years it is an absolute joy to see Michael Caine back in a leading role. The film is Harry Brown, a brutally realistic story of a small town community being terrorized by juveniles. Caine is Brown, the lone pensioner who after the loss of both his wife and best friend decide enough is enough and takes matters into his own hands. It is a morally chilling story, but Caine brings meaning to every single part of it and it is truly a thrill to see him go head to head with the young thugs. The film does paint everything a little too black and white, but it is still a challenging and thought provoking experience.
- One of the most pleasant surprises in a long time is Everybody's Fine, the third film from British director Kirk Jones. It hasn't done much business stateside but I fear that is because of a poor ad campaign, also the film seemed to be promoted as a comedy when in fact it is more of a family drama. Robert De Niro plays the widower who goes travelling across the country in attempt to reunite with his children, and along the way finds out things are very different inside his own family from what he believed. De Niro is wonderful and plays down his own part so much you could be fooled to think it was lazy, but he has created a strong and familliar character that might just be his best work in years. A great supporting cast featuring Sam Rockwell and Kate Beckinsale makes this one of the best ensemble pieces in a long time and it is a shame it has failed to reach a bigger audience. Thank heavens for DVD.
Essential listening this June:
- New Jersey rock band The Gaslight Anthem return this summer with American Slang, their third studio album. After the success of 2008's The '59 Sound they've got their work cut out for them, but thankfully the result is another great sounding rock & roll album. They still wear their inspirations on their sleeves, but at least their honest about it and it never stops being refreshing to hear a band that is simply out there just to make great rock songs and make you wanna jump around. The lyrics of leading man Brian Fallon are still about girls that got away, fighting your way out of that small town and the thought of one day making it big. That tune might have to change in time for the next album. A great rock record. Can't wait to catch them live in August.
- This next one might just as well have been listed under "viewing" since a Bruce Springsteen concert is just as much about what you see as what you hear. And in his latest concert film London Calling: Live from Hyde Park you get the Boss and his E-Street Band at the top of their game. A three hour rock show that never slows down and moves from a sunny afternoon in London (it's Springsteen's first concert filmed in daylight) and well into the evening of one of Englands biggest music events, the Hard Rock Calling Festival of last year. With a recording career that spans close to forty years now, you get songs from the very beginning all through his most recent album Working On A Dream (2009). Wheter you're a Springsteen fan or just love good music performed by top class musicians, you simply cannot go wrong with this release. And if you still haven't gotten the thrill of seeing this rolling show live, this is a rock solid reminder that should ensure you claim your tickets the next time the man comes around.
- The Drums are a young band from New York who play catchy pop songs with a few hints of 60's nostalgia. Their self titled debut album is filled with great tracks that are both original and refreshing. Terrific lyrics and a strong lead singer in Jonathan Pierce makes The Drums one of the most exciting bands of the year and if their next album manages to impress as much as this one, they will surely be a fun act to follow.
Saturday, June 19, 2010
Upcoming Treats # 2
Summer is as always the season for huge Hollywood blockbusters, but there are other American films on the horizon that should be just as exciting as any Iron Man, Robin Hood, A-Team or whatever vampire themed teenage franchise being released this month. So with that in mind, here are five upcoming treats that should be well worth a look upon arrival over the next few months.
- Inception is the new film from Christopher Nolan, the brilliant British director who has risen to fame through the latest Batman installments. And even though the budget for his latest flick still looks decent, the themes and the ensemble cast of character actors could seem more like his first films such as Memento (2000) or Insomnia (2002). This is Nolan's first feature where he is the sole screenwriter and he still wants to be original and push the envelope while never letting the story suffer. Every single teaser and trailer looks incredible and I can honestly say I can not remember being this excited about a movie since... well... ever.
http://inceptionmovie.warnerbros.com/
- Even though many directors working today started out making music videos there are not that many that have actually established themselves as serious filmmakers. One man who is looking to do just that is Anton Corbijn. This Dutch director has made memorable videos for bands such as Metallica and U2, but it was his 2007 biopic of Ian Curtis and Joy Division, Control, that really caught the eye of audiences and major production studios as well. This September sees the release of his newest film The American, starring George Clooney as the lone assasin out on that one last job. Sure, you may have heard that tagline before but with Corbijns sober and seductive style and George Clooney in a played down and attention shy part, this could prove to become one of the finest films of the year. With the cool retro style classic poster (see above) and a great trailer there is no reason to fear the arrival of cold autumn.
http://focusfeatures.com/film/the_american/
- Michael Winterbottom's latest The Killer Inside Me has already raised some eyebrows on its journey through various film festivals around the US and Europe. Based on the controversial novel by Jim Thompson it is a dark and gritty character piece with a rumoured very strong leading performance from Casey Affleck. There are scenes of violence and abuse that have been talked much about, but underneath there should be a chilling and interesting drama. Winterbottom has never feared the use of extremes to achieve an emotional reaction from his audience and though this certainly seems to be no different, there looks to be a rewarding experience for those who can stand to take it all in.
http://www.ifcfilms.com/films/the-killer-inside-me
- After the smash hits Shaun Of The Dead and Hot Fuzz, there was only a matter of time before Brit director Edgar Wright would be calling his shots in Hollywoodland. His first American feature Scott Pilgrim vs The World should offer more of Wright's clever and dry humour, filled with intense photography and snappy editing. The trailers have been more and more revealing and the latest one makes this look just as much as a video game as an actual movie, but Wright has earned the right to be given the benefit of the doubt. And the fact that it stars the always brilliant Michael Cera just adds to the already rapidly growing excitment.
http://trailers.apple.com/trailers/universal/scottpilgrimvstheworld/
- A film that has been hard to read from its trailer is The Adjustment Bureau. The directorial debut of George Nolfi stars Matt Damon, which is no surprise considering Nolfi has served as screenwriter on films such as Ocean's Twelve and The Bourne Ultimatum. It looks and sounds interesting enough, with a touch of surreal reality and a romance at the core. Based on a short story by sci-fi guru Phillip K. Dick it is bound to have enough qualities to keep you tuned in, but it is a dangerous line between sci-fi and love story to walk, in particular for a first time director. But it is intriguing enough to earn some attention, and with a Matt Damon who can do no wrong with his career apparently, we're willing to give it a try.
http://www.theadjustmentbureau.com/
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